This act of total surrender is not merely a fantastic intellectual and mystical gamble; it is something much more serious. It is an act of love for this unseen person, who, in the very gift of love by which we surrender ourselves to his reality also makes his presence known to us.
Real things in the darkness seem no realer than dreams.
Reality is just a crutch for people who can't cope with drugs.
Our task must be to free ourselves by widening our circle of compassion to embrace all living creatures and the whole of nature and its beauty.
I've dealt with many crises in my life, but few will ever happen.
You can design and create, and build the most wonderful place in the world. But it takes people to make the dream a reality.
What happens to the wide-eyed observer when the window between reality and unreality breaks and the glass begins to fly?
My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation.
Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems - but as you approach the present, it inevitably seems more and more incredible.
Multiplicity is a delusion. Unity is the Reality.
Artistic accounts involve severe abbreviations of what reality will force upon us.
Reality surpasses imagination; and we see, breathing, brightening, and moving before our eyes sights dearer to our hearts than any we ever beheld in the land of sleep.
In earlier times artists liked to show what was actually visible... nowadays we are concerned with reality, rather than the merely visible.
I have often had a retrospective vision where everything in my past life seems to fall with significance into logical sequence. Intuition, suspicion, or confidence in new ventures; there is a strange strain within me when advantage is not taken of some situation, the immediacy of recognition of the rightness or wrongness of a mood, a response, a decision - they are so often valid that I am increasingly convinced that we have yet to grasp the reality of existence.
Science is a matter of adjusting language to explain material reality. Art is a matter of adjusting material reality to create a sense of life.
An odd contradiction, if the layman were correct in his unconscious assumption that an artist begins with reality and ends with art: the converse is true - to the degree that this dichotomy has any truth - the artist begins with art, and through it arrives at reality.
The plastic artist may or may not be concerned with presenting a superficial appearance of reality, but he is always concerned with the presentation - if not the representation - of the plastic values of reality.
It does not matter that Dickens' world is not life-like; it is alive.
The Rockwell magazine cover was more a part of the American reality than a record of it.
There are other relations besides reality, which the mind is capable of grasping and which also are primary, like chance, illusion, the fantastic, the dream.
Is there in every work of art something which shows reality as one and also something which shows reality as many and diverse? - must every work of art have a simultaneous presence of oneness and manyness, unity and variety?
To paint things as they are requires a minute attention, and employs the memory rather than the fancy.
External reality is sort of an affectation of the nervous system.
Abstract art places a new world, which on the surface has nothing to do with 'reality,' next to the 'real' world.
Abstraction returned as soon as artists tried to come to closer grips with reality than naturalistic representation permitted.
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