I'm from Texas. I hitchhiked to Tennessee when I was 19 years old, and it is really beautiful in Tennessee.
Obviously, there's the seedy side of the strip club world and pole dancing. But, pole dancing, as an art form, is really beautiful. It's been hyper-sexualized because it's associated with strippers, but if you think about it, just in terms of other kinds of dancing, they're using an instrument to create these amazing dance forms.
What I know now is that we're all interconnected and that's a really beautiful thing. We have links to everyone else in our lives and in the world. Different people have different journeys for different reasons. You can't judge, but you can celebrate that there are connections everywhere.
An essential element of any art is risk. If you don't take a risk then how are you going to make something really beautiful, that hasn't been seen before?
It would be a really beautiful thing if we could all just wear what we wanted, without it meaning something.
A really good picture looks as if it's happened at once. It's an immediate image. For my own work, when a picture looks labored and overworked, and you can read in it as well - she did this and then she did that; there is something in it that has not got to do with beautiful art to me. And I usually throw these out, though I think very often it takes ten of those over-labored efforts to produce one really beautiful wrist motion that is synchronized with your head and heart, and you have it, and therefore it looks as if it were born in a minute.
It is necessary to be concerned about the importance of educating a really beautiful human spirit
I think, as a woman, in your thirties, it's the best time. Women in their thirties are really beautiful. They are. I think that it's hard for people to love women when they get older. But it's easy for them to love men. Men have always been able to age and be perceived as more handsome. But really, we're no different; we age exactly the same.
In London, there must be thousands of people in the business of making films, whereas in Nottingham or Sheffield, you're probably talking about below a hundred. So there aren't thousands of people scrapping for the same money and for the same jobs. I went out in Nottingham the other night and there's a really beautiful community of people who are really supportive. It's not this back-stabbing thing, high-rent, high-cost, high-tension. Up here we are independent filmmakers and there's a lovely sense of camaraderie.
For me, cultivation of my own style really started by looking at people. There are just some really beautiful people in the world. When you're walking down the street, or you're at a restaurant, someone catches your eye because they have their own look. It goes way beyond what they're wearing-into their mannerisms, the way they smile, or just the way they hold themselves.
Performing is really close to being in studio but performing takes over because being in the studio is two things; the first thing is that it is really beautiful to improvise and jam, but afterwards it becomes hard because it's very rare that a song will come together quickly. Most of the time it's back and forth and trial and error. You start questioning whether the song is good or not. So that can be quite tough.
I like using odd materials or odd components for embroideries. I've always liked that Elsa Schiaparelli world of playing with unusual objects to make something really beautiful. That's part of the game. We can do things that are lighthearted and playful but we also do things that are quite dark and sinister. I oscillate between the two.
We wanted to have in Lotus Eaters something that looks really beautiful on the outside but is not necessarily on the inside. There's a lot of superficial references. I remember we were looking at Helmut Newton's photographs - they just look so glossy and beautiful, but you look closely and you can see the cellulite.
I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
The left have taken a really beautiful thing, male-female relationships, and turned them into a battle, a political battle, an ideological war. And if you doubt me, what is the War on Women? What the hell is it? How crazy is that entire concept, that there is a political party conducting a War on Women because they hate them. And the fact that they can sell that to their voters and make political gain on that basis is damn amazing to me. And yet how many people do you know who really believe that there's a War on Women, that Republicans/conservatives don't like women?
What does my taste have to do with the personality of the person I'm working for? It's taking them through a journey of exposing them to stuff, and being able to form a dialogue between the place where they live and themselves. Other than trying to match the curtains to the couch, I don't know how to do that. If somebody asked me to design a really beautiful room, I don't know how to do that.
There are a lot of things that you see in the world ...We have a collection of gloves that have been run over by trucks that a friend named JP Williams collects. They are really beautiful. They look like sculpture. And he has a hundred pictures of them - we're making a book out of them. It's all that kind of ephemera, things that exist that no one really looks at unless it's put to them in a certain way.
I do question a band's longevity, because most of my favorite bands only made one or two good albums. After that, I didn't care about them anymore. Sometimes I wonder if people feel the same thing about us. The way I look at it is, if we can continue to inspire ourselves and write really beautiful music that we're proud of, I don't think there's any intention to stop.
Fiction and poetry are my first loves, but the really beautiful lyrical essay can do so much that other forms cannot.
It may take two people to make a really beautiful mistake.
I find often in Hollywood there are many people who play themselves really beautifully. And certain parts are not that dissimilar from who you are as a person. And there are other parts where you would like to think that you have nothing in common with those characters, but you probably do have more than you think.
I think that's what's really beautiful about music, that it is little pieces of your heart and soul.
A lot of the earliest Instagram celebrities took really beautiful photos. But you're starting to see a change where it's not about beauty; it's about the story that you tell.
Mythology is a really beautiful vocabulary passed down through centuries that helps us understand the perennial parts of our nature.
My family gets incredibly tense and stressed out around traveling. There's something really beautiful in that vulnerability.
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