You know, it really doesn`t matter what the media write as long as you`ve got a young and beautiful piece of ass.
Homesickness is . . . absolutely nothing. Fifty percent of the people in the world are homesick all the time. . . . You don't really long for another country. You long for something in yourself that you don't have, or haven't been able to find.
Don’t you love the Oxford Dictionary? When I first read it, I thought it was a really really long poem about everything.
I will say A Pea in the Pod saved my life - at the end of my pregnancy. I even wear their tanks now to work out in because they're really long.
I've known Jennifer [Salke] for so long. Before I was a writer, I did garden design, and I designed Jennifer's garden, many years ago. I've known her for a really long time. So the pitch was not really about that.
I like to be an inspiration and an example of the idea that you can be independent, and it's no problem, and you can pay your rent, and it's empowering, and it's great. And that's true, but it also takes a really long time, and you have to have a lot of patience and a lot of conviction in why you want to remain independent.
In America, their pre-production is really long but the production is much shorter. They decide everything from the beginning to the end. They edit and nobody can touch it, actually.
When you go from movie to movie, it's like going from family to family. You work with people for really intense hours on really long days and a bond happens. So even when a movie is terrible, you love it.
For a really long time [before writing the novel], I was watching a lot of serial killer movies and I started to wonder if this was a trend and if other people were doing the same thing. That's what happens when you suddenly have a critical perspective on your own behavior.
The biggest experiment there - and I was convinced for a really long time that it was going to fail horribly - had to do with this weird thing I do every now and then. Like everyone else, as a reader there are certain things that really rub me the wrong way in fiction - pet bugbears, let's call them.
Once I start writing, I am a huge reviser. To me writing is revising. I probably turn over every sentence that I write, to see if I have the rhythm right. That's why my first drafts take a really long time.
I have been doing this [acting] for a really long time, so I've come to expect things to take a really long time. You get to a place where you do your job and then you dust your hands off and say, "Okay, my job is done. Now, it's in the stars. We'll see what happens." There's nothing I can do to affect it.
I love an arcade. I love a boardwalk game. But I also love a rollercoaster. Though I think the rollercoaster love comes from the fact that it took a really long time for me to reach the height requirement, so I promised myself very early on that when I reach that, I will not take it for granted.
I look around my neighborhood, and I see people hailing a cab or ordering their food and then paying for it all with their phone. I've read about that stuff for a really long time, and now it's starting to become commonplace.
I feel like what's most important for painting - which has been hierarchically on the top for a really long time in terms of what is considered fine art, by comparison with something like a comic book or what's considered low art - is that painting should open up laterally to include other cultures and things that don't immediately resonate as a painting but are obviously of equal contribution to the genre.
I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.
There's this idea that everybody has to have everything right away... I wasn't the superstar. I had to work really long hours for it.
I've been a fan of hip-hop for a really long time, and I still am.
I wrote a script and I've been whispering in director's ears for a really long time and I'd love to direct.
I myself am still learning how to be me and that's OK. It can take a really long time to become the person you really want to be. Be who you are. It's the greatest gift we can give to ourselves, our community and our world.
Okay, this is Fran Lebowitz. She gave an interview once for the Paris Review about trying to write fiction and saying that fiction writers start talking about how characters are talking to them, and it's crazy, she's never had that. And I also thought, I'm never gonna be able to do this, because I didn't feel that for a really long time.
I really didn't have a plan, I just went in and started playing. one of my specialties was to be able to play for a really long time without stopping and I would play these repeated patterns for hours and hours and I wouldn't seem to get tired.
The real question is not are there other forms of life in the universe, but are there other intelligent forms of life out there right now. Because the universe is not only really big but it's also really long. It's been around for a long time; it's going to be around for a long time.
I guess it was this over-riding feeling I wanted people to get from the album - a kind of positivity. On the one hand it's quite a sad record, but I wanted the songs in essence to be about pulling yourself out of a difficult time. So I thought that the idea of day after a really long, difficult night, would be pretty appropriate... I think the album's about contrasts too - contrasts of emotion - so I thought the comparison was appropriate.
Probably my favorite artists to listen to James Taylor, Stevie Wonder - I haven't gone back in a really long time and really listened to them - my first guitar influences. It's been awhile since I revisited that.
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