Perhaps Western civilization is in a post-decline phase, or maybe the decline is just taking a really long time, like the Roman Empire's did. The Romans had gladiators and Christian-hungry lions and that sort of thing. We have MTV.
I hope I'm not sitting on a bench in a retirement home talking about what was: "Oh, I worked with this guy and that guy." I hope I'm still doing it for a really long time.
We essentially spent our college years together [with Seth Rogen and Evan Goldberg], so those were the kind of lasting friendships and the bond you form during those years, and those friendships last a really long time.
Also because few people were watching - aside from a healthy amount of incarcerated people, because M2 was offered in a lot of prisons - I was able to ask really long, kind of muso questions, that they loved. We could really geek out and talk about music for long periods of time, and that tape would just keep rolling and rolling.
I really didn't have a plan, I just went in and started playing. one of my specialties was to be able to play for a really long time without stopping and I would play these repeated patterns for hours and hours and I wouldn't seem to get tired.
I have been doing this [acting] for a really long time, so I've come to expect things to take a really long time. You get to a place where you do your job and then you dust your hands off and say, "Okay, my job is done. Now, it's in the stars. We'll see what happens." There's nothing I can do to affect it.
I've been involved in burlesque for a really long time and I've always been really interested in burlesque, and I was writing musicals for different studios.
I've known Jennifer [Salke] for so long. Before I was a writer, I did garden design, and I designed Jennifer's garden, many years ago. I've known her for a really long time. So the pitch was not really about that.
I'm usually two projects ahead. It's hard for me because I don't have a really long attention span.
You can't beat a nice glass of Chardonnay after a really long, hard day.
In America, their pre-production is really long but the production is much shorter. They decide everything from the beginning to the end. They edit and nobody can touch it, actually.
I feel like what's most important for painting - which has been hierarchically on the top for a really long time in terms of what is considered fine art, by comparison with something like a comic book or what's considered low art - is that painting should open up laterally to include other cultures and things that don't immediately resonate as a painting but are obviously of equal contribution to the genre.
You do a draft and you get more notes. You start to get the feeling that this either isn't going to happen or it is going to take a really long time to happen, and I never felt that with this [the Girl with the Dragon Tattoo].
I like to be an inspiration and an example of the idea that you can be independent, and it's no problem, and you can pay your rent, and it's empowering, and it's great. And that's true, but it also takes a really long time, and you have to have a lot of patience and a lot of conviction in why you want to remain independent.
My feminism has evolved way beyond self-empowerment and I see feminism as a path to peace on earth. The fundamental imbalance that is behind all of the other social diseases is patriarchy. I do believe. As men and women, together, I really long to feel my society evolve its understanding since we're one of the leaders in the f-word. I want us to grow our idea of feminism collectively and get both men and women involved in undoing patriarchy. It's huge. It's a huge job.
Take a human desire, preferably one that has been around for a really long time Identify that desire and use modern technology to take out steps.
The real question is not are there other forms of life in the universe, but are there other intelligent forms of life out there right now. Because the universe is not only really big but it's also really long. It's been around for a long time; it's going to be around for a long time.
I guess it was this over-riding feeling I wanted people to get from the album - a kind of positivity. On the one hand it's quite a sad record, but I wanted the songs in essence to be about pulling yourself out of a difficult time. So I thought that the idea of day after a really long, difficult night, would be pretty appropriate... I think the album's about contrasts too - contrasts of emotion - so I thought the comparison was appropriate.
I loved Omar Vizquel. He tells some really long jokes, and he has his own way of telling them, but he can make every joke very funny. He would always come up with jokes on the loudspeaker on the bus.
I was very combative as a creative person at that time [while The Ben Stiller Show]. I didn't understand how to play politics with the studios. I didn't know how to creatively collaborate with the people who were paying the bills, and that came up all the time on every project I was doing, and it took me a really long time to figure out how to collaborate in a healthy way.
I myself am still learning how to be me and that's OK. It can take a really long time to become the person you really want to be. Be who you are. It's the greatest gift we can give to ourselves, our community and our world.
I did karate for a really long time, almost 10 years when I was younger.
I had been wanting to do a musical for a really long time. I wanted people in New York to know that I can sing.
"Pop" was a dirty word for a really long time and it feels like that's not the case anymore.
When you're young, and you have long hair, it's just really long hair. And then you get to a certain point where you start to look after it, and then people will tell you that you have to cut a little bit off so it grows quicker. And it just doesn't. It just has more cut off. And I think I just got really annoyed with it.
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