The tagline behind "House of Lies" is funny, dirty, business. The show is a comedy satire about how big business operates. Most Americans that work in corporate America should be able to relate to this show.
I don't like to go to conventions, and I don't like to relate to people on a level of hero worship, because there's no real communication going on there.
When I saw what painting had done in the last thirty years, what literature had done - people like Joyce and Virginia Woolf, Faulkner and Hemingway - in France we have Nathalie Sarraute - and paintings became so strongly contemporary while cinema was just following the path of theater. I have to do something which relates with my time, and in my time, we make things differently.
I think it can be incredibly powerful for a teen to be able to put their story out there for others to soak in, learn from, relate to. In some ways, it validates their experience, which for teens (or for anybody, really) is a pretty huge deal.
For me, ideology is defined only by how the coordinates of your meaningful experience of the world, and your place within society, relate to the basic tensions and antagonisms of social orders.
Most of the note-taking happens while I'm watching television. It's a broad window on the world, and a lot of things are already established in my mind as things I say, things that I'm interested in, things that are fodder for my [stand-up] machine. And when I see something that relates to one of them, I know it instantly and if it's a further exaggeration and a further addition, or an exception - if it plays into furthering my purpose, I jot it down.
I find Japanese books quite baffling when I read them in translation. It's only with Haruki Murakami that I find Japanse fiction that I can understand and relate to. He's a very international writer.
It's interesting work for me to tell my life, as a possibility for other people to relate it to themselves - not so much to learn about me.
It was really hard coming to terms with the Nazi history. Then in my twenties I was traveling to Germany. There was a lot of poetry activity and some of my first readings abroad and trying to relate with people my own age there and what they were discovering and learning had to examine in terms of their backgrounds. Then so many of my friends had family who had either perished in the holocaust or survived in the holocaust. It was very palpable.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
I hope to always be able to relate to my fans and be in the moment with the world and the community. I think as you gain popularity it's easy to loose touch and become disconnected.
I think artists should define themselves. They should speak about their work and how it relates to society and what's going on in the world.
My thing in this day and age, with reality television and so much other stuff that is going on, is people want to feel the reality. They want to relate.
For me, as I've said many times, the story is not research. The story is how the characters relate with each other and with the environment... I try to apply my imagination to what could have happened and how a little child could have viewed and processed the event.
What's more important is that the monsters are controllable by the players.Pikachu is like the name of the species. But each player can name their own Pikachu. So kids can relate to it more. They get more attached to them that way.
The phrase "corporate identity design" seems to be a bit exclusive it sometimes frightens the smaller client who can't relate because they don't consider themselves "corporate."
You can have lots of feelings and have the same feelings over and over again. It isn't the recognizable feelings that make so much difference. It is sensing the edge, the unclear, what you don't recognize, but it is there, the bodily discomfort that the problem makes, which has meaning; it has its own peculiar quality, implicity, it is complex, it has in it everything that relates to that problem, but not in a way you can say.
My husband doesn't have to try to add to my comedy he just does being himself and saying & doing the things he does. We have a good friendship & I think couples can relate to our dynamic and sometimes out lack of dynamics too.
I just try to use my own life to build a human song: something that people can relate to in some way. It's not like the psychiatrist's couch or anything.
As an outsider myself, I always mixed myself with different groups...I've never been afraid to go into a different space and relate to those people, because I don't have a place where I belong and that means I belong everywhere.
The micro-compositions are the pieces themselves, but the macro-composition is the whole set of them and how it moves from track to track and how the titles relate to one another, for example. Always when I do records like this of a selection of instrumental pieces - the titles, to me, are very important.
I have a personal Twitter for band purposes, but I don't use social media a lot. I fall in a weird age gap. I was on band message boards when I was 16, but I was on the early curve of Facebook. I did it for work when I worked in media, and I did it for the band, but I can't relate to the idea that you live your life online.
I really think people are greatly stimulated and enriched by experiencing in film just as we can from novels and other art, experiencing things that resonate with what our lives are about. I think people really want to know... want to share, want to have the stimulus to think and care about the way they live their lives, the way they relate to other people, their aspirations, their hopes, et cetera.
While my work is usually about the Igbo woman experience, there are many aspects of my female characters that women everywhere can and do relate to.
I know, that Rilke quote - "Beauty is the beginning of terror" - I think about that a lot. It's that realization that we are so small, and yet we are so large in our capacity to relate to the beauty of things.
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