Poverty is relative, and the lack of food and of the necessities of life is not necessarily a hardship. Spiritual and social ostracism, the invasion of your privacy, are what constitute the pain of poverty
Value gives the artist the means of showing subtle changes in a form's surface-state, and it helps clarify the relative distance between forms.
We do not see and estimate the relative importance of objects so easily and clearly from the level or the waving land as from the elevation of a lone peak, towering above the plain; for each looks through his own mist.
Excellence or virtue is a settled disposition of the mind that determines our choice of actions and emotions and consists essentially in observing the mean relative to us ... a mean between two vices, that which depends on excess and that which depends on defect.
We have to compete within ourselves relative to the determination it takes to be successful.
Some of what we read in classical literature is not relative to our condition, but then many women novelists and poets have turned it upside down and told the stories from the other point of view.
There's no retirement, there's just a few years of non-work by the fire with someone bringing you some tea and relative peace and playing with the grandchildren.
I learned that danger is relative, and the inexperience can be a magnifying glass.
I give to my friends the assurance that if they will recast their ideas and attitudes about the relative importance of the spiritual to the material, and bring themselves to participate in the mighty cause of establishing God's kingdom in the earth, they will find a satisfaction, a sureness of purpose, a peace and contentment, surpassing anything they have ever known.
Everyone goes through their stuff when they are growing up. It's all relative. Everyone has the same situations on their menu. We just make the choices in terms of what situations we're going to eat.
From the driver's standpoint I had the same horrors, the same satisfactions, the same everything. The speed is relative. It's faster and things are happening quicker, but you have the equipment to handle it.
Speed is relative. You have to live it. You can't just jump into it. You have to live it all the time.
Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
Responsibilities are relative. My responsibility is to a character in a script, to a part I'm playing.
My father is incapable of showing much affection, or even of carrying on a conversation. I didn't want to have a relationship with him just because he's my blood relative. It would bore me.
It is however, difficult to make your narratives relative by yourself. A novelists' work is to provide models to make your narratives relative. If you read my novels then you may feel, "I have the same experience as this narrative", or "I have the same idea as this novel". It means that your narrative and mine sympathize, concord and resonate together.
Narratives have the same power, I think. Some readers of my novels ask me, "Why do you understand me?". That's a huge pleasure of mine because it means that readers and I can make our narratives relative.
Agemates provide the most informative points of reference for comparative efficacy appraisal and verification. Children are, therefore, especially sensitive to their relative standing among the peers with whom they affiliate in activities that determine prestige and popularity
In terms of our region, what we need to ensure is that the rise of China [is] conducted in a manner that does not disturb the security and the relative harmony of the region upon which China's prosperity depends. Now - now, that requires careful diplomacy, it requires balancing.
Moral relativism says morality is relative, not absolute, I want to show moral relativism, in its popular form, is logically incoherent.
Therefore the solid body of the earth is reasonably considered as being the largest relative to those moving against it and as remaining unmoved in any direction by the force of the very small weights, and as it were absorbing their fall. And if it had some one common movement, the same as that of the other weights, it would clearly leave them all behind because of its much greater magnitude. And the animals and other weights would be left hanging in the air, and the earth would very quickly fallout of the heavens. Merely to conceive such things makes them appear ridiculous.
For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing.
I find the surface of a photograph a thing of beauty in and of itself, and it is this surface that makes a photograph unique relative to other two-dimensional media.
Older, you know, is obviously relative. You're older if there's somebody younger than you in the room, and you're younger if there's someone older in the room.
The best parts about writing a show are [its] first, second and 10th anniversaries. Everything else is relative levels of hell.
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