I don't do shows. I don't have reviews. I'm not putting the clothes on every celebrity so that by the time they reach the store the customers are sick of seeing them.
Perhaps in a book review it is not out of place to note that the safety of the state depends on cultivating the imagination.
If you have too good a time writing hostile reviews, you'll injure not only your sensibility but your soul.
If a church offers no truth that is not available in the general culture - in, for instance, the editorials of the New York Times or, for that matter, of National Review - there is not much reason to pay it attention.
I don't read reviews.
As much as I encourage communication with my readers, I don't want reviews from them, simply because I don't need to be hamstrung in the middle of working on something.
I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.
I’m interested in so many different things and I’d like to cover a lot of territory. I’m trying to see my show as the Sunday Times. You have the Arts & Leisure section, you have the Op-Ed page, you have the Book Review...even the Style section has those wonderful essays about relationships.
I was in the original cast of Wicked, and that got a bad review in The New York Times, and it’s the most successful thing that’s ever been put onstage.
I try to read everything that I can about myself because Saddam Hussein didn't read his reviews and he thought he was winning!
I don't read reviews and I don't know what to do with opinions, so I just lose them. They take up space, they become a process of manufacturing a persona, which I want to avoid.
If I like a book, I tend to read the author's entire collection. But I choose mainly through personal recommendations, general word of mouth and book reviews.
I've done both theatre and film and the fact is if you start believing, if you start reading things and they're good reviews - you believe that and you're lost, and then you read bad reviews and you think that's true and you read that and you're lost.
And it's always possible that you will not get a nice review. So - and that's enraging of course, to get a bad review, you can't talk back, and it's sort of shaming in a way.
I write reviews of science books for the Boston Globe, so I like to give science books.
Sometimes I have given my husband a manuscript to read that has turned out to have fantastic rave reviews and he'll tell me it is no good. Well, if I didn't know him as well as I know him I would be terribly depressed.
That's what keeps me up at three in the morning: Who's looking at reviews of Cabin Boy right now?
I'm a very thoughtful, forward-thinking, planner kind of person. I love Excel spreadsheets and five-year-plans, and I love to review every year how my New Year's resolutions went.
I think, in general, it's better not to respond to reviews of your work.
I did a movie 'I Love You, Man' and it got great reviews; it was very enjoyable.
As a planning board commissioner, I have to review the applications for development throughout the city, and the bulk of those applications have been for the waterfront. I think the progress the waterfront has made is amazing.
I don't think, until the end, I had read a positive review of Boy Meets World.
I don't read my reviews, but I have a bunch of them and I will when I'm 80.
I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.
There's no artist in this world that doesn't enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats' poem 'Endymion' is a really difficult poem, and I'm not surprised that a lot of people pulled it apart in a way.
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