I just don't think of myself as an actor much at all, so I don't lust after any particular roles.
I don't think that you necessarily need a certain type of background to take on roles. You see actors from very, very privileged backgrounds playing working class characters and vice-versa. I don't think your background limits you as to what you can do.
The importance of high expectations plays a big role.
The importance of education plays a huge role.
That's one of the things we're most excited about, really, is just allowing this great, Oscar-nominated actor, giving him material to play in one of his signature roles.
It's interesting when you go out into the world and see which of your roles have affected people.
The beauty of when you watch good television or films is that, yes, you may have a multi-cultural cast but those roles could be anybody - they could be white, they could be black. To show the world that we have more in common than we have different with each other is to me the ultimate goal of all of that. It does help unite in people's mind the thought that people are the same. Yes, there's going to be cultural differences, but for the most part, we are all in the same gang as human beings.
For every role, I brought certain elements of the character. Even on White Collar over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.
There's no point in it unless it's a story that you really want to tell. It's a nebulous job. Unless you're doing it well, you're not doing anything. And there are a few of those. It's perfectly possible to be a passenger on a film set because if somebody else has written it, you can make nothing of that role and that's exactly what bad directors do.
I love when I get to play these characters that are bigger than life. There are roles in animation that I never get to do in real life - and it appeals to my ego as an actor to play the Queen of Everything. I admit it.
In so many roles I've played the outsider. As an outsider, you have more energy to succeed simply because you are an outsider. There are scripts floating around but they're not coming my way and I think that I am getting a little bit too old to play Napoleon. But if I was ever offered the role I would grab it.
Brad Dourif as Charles Lee Ray, it's impossible to imagine anyone else in that role. I mean, he's just so great. Over the course of the five movies, he always just takes it so seriously, doesn't condescend to the material, whatsoever and just treats it as if he was playing Hamlet.
I think there's a lack of quality roles for women in comedies. Most actresses get cast as the "eye-roller" or "the serious one," while men in comedies get to do all the fun, silly stuff and muck around. Sometimes you just have to search hard for a role or create one for yourself.
The way I go about choosing roles is basically by just trying to pick the complete opposite of the last thing I did, or if it has someone else who I really have wanted to work with.
People aren't hiring just a picture, they're hiring someone they can work with. That plays a big role .
The truth is, I'm a character guy. That's how I see myself. I always see the role as being far more interesting and important than I am... not all actors approach it that way.
It's always the script first choosing roles. [Then] whoever else is attached. I never like to be the first person attached, because I don't really trust what's going on, unless there's a really good director.
I don't really understand why I should be a role model but I know that children do look up to me, so it is my responsibility to motivate people and be inspiring. I hope that I can do that for kids.
I mean there's still also an element of the audience looking for role models. In my day, when I started, if you were an action hero, you were a little bit of a role model like the person.
There is no such thing as an accident. It is all part of a master plan. Play your role as gracefully as you can and relax.
Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other's participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.
Envy of the male role can come as much from an undervaluation of the role of wife and mother as from an overvaluation of the public aspects of achievement that have been reserved for men.
Juggling produces both practical and psychological benefits.... A woman's involvement in one role can enhance her functioning in another. Being a wife can make it easier to work outside the home. Being a mother can facilitate the activities and foster the skills of the efficient wife or of the effective worker. And employment outside the home can contribute in substantial, practical ways to how one works within the home, as a spouse and as a parent.
I have never understood why they tried to start the revolution by taking over the universities. It should have been self-evident that the net result of success would be to close the universities but leave the nation unaffected--at least, for quite a long time. Nor do I find it easy to believe that the rebels, as intelligent as most of them were, seriously expected that they could keep the universities alive as corporate bodies, once they had control of them, if they made the fundamental alterations in organization and role that they proposed to.
We are still in various kinds of patriarchal systems. The very definition of patriarchy is that men control women as the means of reproduction, so the idea that a woman's main role is to have children often means society wants more workers, more soldiers. The idea that how many children we have should be controlled by the family, the church, the nation - by anyone but women themselves - is still very deep and very strong.
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