I know If I score we're going to win the match.
I think he knows all my tricks. Or the fact I don't have any tricks - Brendan Shanahan on trying to score against Curtis Joseph. I'm hoping for a bench clearing brawl during the warm up so I can go out and grab his stick.
Ice hockey is a form of disorderly conduct in which the score is kept.
When we've got the puck, they can't score.
You've got to go to the net if you want to score.
There are two types of forwards. Scorers and bangers. Scorers score and bangers bang.
On rookie Alex Selivanov, Yes the guy can score you 40 goals. Yes I love it. What I don't want is him causing 60.
A lot of people wonder how a 21-year-old with average power (I finished 89th in driving distance) can be so successful. The answer is simple: I know how to score.
Being generous without keeping score strengthens your spirit, keeps you focused on the people who make your business what it is, and helps breed success.
A man who is a politician at forty is a statesman at three score and ten. It is at this age, when he would be too old to be a clerk or a gardener or a police-court magistrate, that he is ripe to govern a country.
Dignity, high station, or great riches, are in some sort necessary to old men, in order to keep the younger at a distance, who are otherwise too apt to insult them upon the score of their age.
In a game, just losing is almost as satisfying as just winning... In life the loser's score is always zero.
Remember, that money is of the prolific, generating nature. Money can beget money, and its offspring can beget more, and so on. Five shillings turned is six, turned again it is seven and threepence, and so on, till it becomes a hundred pounds. The more there is of it, the more it produces every turning, so that the profits rise quicker and quicker. He that kills a breeding sow, destroys all her offspring to the thousandth generation. He that murders a crown, destroys all that it might have produced, even scores of pounds.
Women who are either indisputably beautiful, or indisputably ugly, are best flattered upon the score of their understandings.
I have a Vision of the Future, chum. The workers flats in fields of soya beans tower up like silver pencils, score on score.
The manner in which Americans ''consume'' music has a lot to do with leaving it on their coffee tables, or using it as wallpaper for their lifestyles, like the score of a movie --it's consumed that way without any regard for how and why it's made.
Baseball is slovenly and excessive in midsummer, with its onrolling daily cascade of line scores and box scores, shifting statistics, highlights and lowlights, dingers and shutouts, streaks and slumps.
I knew how to read box scores and who the baseball heroes were before I had ever seen or even heard much of a game.
I really believe that what happens one day affects the next, and I think that came from that experience of learning that if I told the score inning by inning, play by play, it built up to its natural climax.
Exploitation and oppression is not a matter of race. It is the system, the apparatus of world-wide brigandage called imperialism, which made the Powers behave the way they did. I have no illusions on this score, nor do I believe that any Asian nation or African nation, in the same state of dominance, and with the same system of colonial profit-amassing and plunder, would have behaved otherwise.
When the movie's done, you talk about either the score or source music over a particular scene, what might work. You just throw a piece of music over the scene, and we both listen to it.
Money is just a way of keeping score.
It's no mystery why many of us in the media can't get enough of the fabricators Jayson Blair and Stephen Glass, the latter of whom concocted more than a score of bogus feature stories for the New Republic (and who wrote for other magazines, including this one, once) in the mid-1990s. Anyone--journalist, student, academic--who has ever stared at a blank screen, their brains grinding emptiness, and thought, How can I fill this hole? knows that in those desperate moments before a deadline, almost anyone can do almost anything: make stuff up, plagiarize, scribble senseless half-truths.
I feel at home in an orchestral score.
Classical scores go up and down; they're kind of hysterical in a way. And movie scores are much more - they just drive and move forward, and they build and can't go up and down at that same speed. It's a big job to turn that into something that pushes the movie along.
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