I'm not looking for is the audience going to like it [the film during the first screening] or not. I want to hear somebody try to poke a hole in it. I want to hear why they saw the logic was flawed or why that scene was not believable.
I'm like really bad at like remembering all these things, but basically we finished...we wrapped in August and we locked in February. It was like we did our first friends and family screening I would say 8-weeks after we locked...after we wrapped or 8-weeks after we wrapped.
It was like a family reunion, watching the movie. It's always a good feeling when I can get a screening for my family.
Options other than mastectomy include high risk surveillance and risk reduction. Surveillance is a combination of monthly self breast exam, annual mammography and whole breast screening ultrasound, annual breast MRI, and biannual clinical breast exam.
There are always things I have to remove. I might look at a shot for five months, when somebody new to the screening room will say, 'hey, there's a modern air conditioner in that window.' It's a process.
The idea is to encourage men to go with their wives and screen. So, if the wife is going to go and do her screening, then the man can go and do his baseline screening, too. Men need to be aware of the health of their bodies, as well - prostate cancer and breast cancer are almost on the same level.
The oldest problem in economic education is how to exclude the incompetent. A certain glib mastery of verbiage-the ability to speak portentously and sententiously about the relation of money supply to the price level-is easy for the unlearned and may even be aided by a mildly enfeebled intellect. The requirement that there be ability to master difficult models, including ones for which mathematical competence is required, is a highly useful screening device.
I like test screenings. I like to see a movie with an audience of strangers. I think it tells you a lot.
We do know that a percentage of LGBT people avoid and delay screening and care because of fear about or experience of stigma, discrimination or simply lack of knowledge about LGBT people and their health amongst providers. If you avoid or delay screening and care and you have an issue that may be precancerous, by the time you get into screening and care you’re there because it has become acute and you already have a progressed disease.
In 1998, I was screening 'Good Will Hunting' at Camp David. And I was saying, 'Nice to meet you, Mr. President. Nice to meet you, Mrs. Clinton.' Madeleine Albright, Sandy Berger, Senator Daschle. It was an extraordinary day.
I had one of those light bulb 'a ha' moments while screening 'Good Will Hunting' in Camp David in 1998 - Madeleine Albright and the Clintons were there, and I just became really inspired by all of these amazing people. I left the screening asking myself what I could do.
I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie.
If you get too heavy with the nods and winks, people get a sense that they're excluded from something. If they're in screenings and everyone's laughing, and they don't know what the hell it's about, somehow you feel excluded from the party, or like you're not in the inner circle. As a performer, that's the worst thing you can do to an audience. It's fun, but you have to be very careful with it.
I agree that we have to have the toughest screening and vetting that we can have, but I don`t think a halt is necessary. What we have to do is put all of our resources through the Department of Homeland Security, through the State Department, through our intelligence agencies, and we have to have an increased vetting and screening .
Those of us who make films try to make something that we're feeling and that we would like. Then we just hope an audience responds the same way. It's very important to have the electrical circuit made, but I don't have control over how people feel when they flip the switch. So the whole idea of marketing research and test screenings is just foreign to me.
People will say things after a screening that it affects them in a certain way, which is why I don't like to explain what certain things are about. I want them to have that. It limits people's ability to understand something if I say it's "about this." That's happened to us a bunch on this.
It has been rumored that "Psycho" is so terrifying that it will scare some people speechless. Some of my men hopefully sent their wives to a screening. The women emerged badly shaken but still vigorously vocal.
The producers and I first talked about the Big Fish musical, right before we did the first test screening of the movie. I said, "I think there's a Broadway musical here." And really, from that day, we started figuring out how we would do it.
I think the part I enjoy most is reading the scripts and screening films because I'm a bookworm and a movie buff.
It's not my job. The Weinstein company, it's their job to convince people. My job was to make the movie. That's what I did. I know what we did in France was to have the maximum screenings just to let people talk about the movie and say they enjoyed the movie.
You learn quite a bit about your film from test screening audiences. With both comedies and movies that are intense, you need to calibrate the film and see how audiences react.
I haven't fully moved over to the iPad. At any given time, I have about four DVDs in my pocket. I'm constantly screening 'Top Chef,' 'Housewives,' and all the other shows we have in development, racing to meet a deadline. So I pretty much bring my laptop everywhere.
I have been doing merch' since I was 15 and in bands when I was a teenager - silk-screening shirts, making the emulsion in my mom's closet I converted into a dark room, through college. That's essentially how us bands survived was selling homemade t-shirts.
I'm trying to work only with established, respected directors. I took a lot of bad scripts and worked for a lot of lazy directors, and it was discouraging to go to the screenings and see that the director had added nothing, the editor had added nothing, there was nothing to see.
I'm for mechanical art. When I took up silk screening, it was to more fully exploit the preconceived image through the commercial techniques of multiple reproduction.
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