I put a lot of time and energy and thought behind what I do and the characters that I create, and I don't want to do anything peripheral that is going to make an audience see me up there on the screen rather than who I'm playing.
It's difficult to see yourself up on screen without being a critic.
I wish they taught green screen acting classes.
There are actors who are really fantastically talented at being natural on screen and appearing to be themselves, but I like the challenge of becoming somebody else.
I loved couriers. You had this transfer of physical information happening throughout the city and the world. Someone picking up the package, putting it in a bag, going somewhere, taking it out of the bag, giving it to someone else. I thought that was so cool. I wanted to map it, to see that flow on a big screen.
What I got, unconsciously, from admiring Fred Astaire was that he didn't want what he was doing to look difficult. What was difficult, in my opinion, was making it look so genuine, so effortless. I equally have tried to remain unseen on the screen.
To become a star is the beginning of the end. I don't really want to be saddled with a screen persona.
Hope E.L .James doesn't think I'm being a prankster. I really want to adapt her novels for the screen. Christian Grey is a writer's dream.
I just wanted to make sure that what I write is what appears on screen, to not have some idiot change it on its way to the screen.
You look at women like Lena Dunham, you look at how women are kind of crafting their own space on the screen. I want to add to that.
It's better to think of life as a proper journey with a beginning and an end. Maybe, I can settle for being immortalised on screen.
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
Sure, the killer was my son, but I didn't teach him to pull the trigger of the gun. It's the killer on this TV screen, you can't blame me, it's the images he sees.
Here's what I love: I love sitting at my desk, staring at the blank screen, and beginning that conversation with my imaginary friends.
I'm neither left or right. I'm just staying home tonight, getting lost in that hopeless little screen.
There are people doing yoga in New York, dancing around; that's the power of India. You go to a nightclub somewhere in Spain and there's Amitabh Bachchan on the screen there, dancing around. That's the power of India. That's the power of Indian people.
Chemistry is a hard thing. I don't think you can force it, and it doesn't necessarily mean that you have to have great chemistry outside of work. It's just something that sparks on screen or doesn't.
I was notified on July 17 to be ready to start August 7 for an October air date. When we reached the screen we did not have a single segment ready. It was done so fast the writers never got a chance to know what it was all about.
Once you become the story off-screen, you are less likely to be the onscreen one.
Acting for screen is very different from acting on stage, and then obviously when you dance... everything is a physical embodiment. But the discipline is the same approach. You have to take both things seriously; nothing well-crafted is by mistake.
Things danced on the screen do not look the way they do on the stage. On the stage, dancing is three-dimensional, but a motion picture is two-dimensional.
If you're too embarrassed and want to hide behind your computer screen, that's what this is for. It's about building confidence and that's what U by Kotex does. Girls owning their bodies and health.
My strength as an actor is in the theater - I know that about myself. Some actors get onstage and vanish, but I'm much better there than I am on screen.
I always got very excited about the Masters as a kid. I could hardly wait until the Wednesday when you'd get the BBC's preview. And I'd then be glued to the screen until Sunday night.
When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.
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