You try to go where the great scripts are, if you can, or you go where the not great scripts are, because that's what's being offered to you.
I think every script I read has something that sends me into a state of panic but that usually makes me want to do it.
I'll only work on TV shows that have a 'Sookie' on them! Those are the only shows that will cast me. And I've never even met a Sookie in my life. Sookie on 'Gilmore Girls' was played by Melissa McCarthy. And Sookie, played by Anna Paquin, is number one on the call sheet on 'True Blood.' Somebody should write another script with a Sookie in it.
Sometimes when it comes to the iconic kind of moments, when I read the script for the first time, you get little goose bumps or something because it really is kind of exciting.
My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood.
Not all offers I get are exciting and inspiring. I would rather sit at home and not work than jump into mediocrity for the sake of just moving ahead. If its a good script, I would sacrifice my personal time and grab it.
The idea was to take fine art and put it into the location of the movie scripts. The script itself is collage - some of the lines come from actual movies and I've written others to make the text work with the found image. In this way, the details of old dead guys' paintings (from the collection of the Städel Museum in Frankfurt, where this work will be exhibited in relation to the historical paintings) become illustrations of the movie scripts. I found this mélange of high art and Hollywood amusing.
I've done too many stupid things for there not to be movies made about me when I'm dead, so I might as well write the script.
Sticking to my schedule, Ive gotten over seven months ahead, which allowed me to write a Pearls Before Swine movie script for the big screen.
I think your text [script] is everything; it's what informs you; it's what gives you the given circumstances. Then you take that and you add your own creativity and your own spin on things and you make it personal. That's what makes that character and that text unique to you, when you personalize it. I think that's where your job as an actor comes in.
I'm not fixed in any genre. I love all kinds of films. The essential thing is; you have to have good material. If you have the filmmaker, and the material, and the script is good, you can start from there.
I've auctioned off many scripts and will continue to do so for good causes.
What is the right time [to discuss theology]? Whenever we are free from the mire and noise without, and our commanding faculty is not confused by illusory, wandering images, leading us, as it were, to mix fine script with ugly scrawling, or sweet-smelling scent with slime. We need actually 'to be still' (Ps. 46:10) in order to know God, and when we receive the opportunity, 'to judge uprightly' (Ps. 75:2) in theology.
All of the good movies are based on how that story was told. And you cannot do it with a bad script, that's for sure, no matter who.
I practice reading all the time. I read everything and having so many scripts to read, which really helps out as well.
There are so many scripts and they are fantastic. I think I would like to do something different, maybe something smaller.
Whenever I get a good script, I don't care whether it's telly or theatre or big screen - I'm not bothered.
I'm not staying away from any genre. I'm trying to get scripts that I like.
I dont work for production houses. I only work for good scripts and roles. If you follow my career graph, you will find that I have not given a single flop yet in my career. I am proud of it.
When I read a script, I try not to judge the characters. I try to have an open mind and really see what it makes me feel.
When I was 16, I got 'Jamon, Jamon.' Of course, I had to lie about my age. And I had to lie to my parents about the content of the script.
A script is utterly useless in and of itself; it's only of any worth the minute your actors, your designers, your directors come into being.
A director should cast a person who fits into their script.
Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
Maybe that's when bad scripts are written, when you choose the theme first. I consider that I've something to say when I've thought of a person, a moment, a single beat of the heart, that I think is true and interesting, and therefore should be seen.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: