There seems to be something in the human soul that causes us to think less of ourselves every time we do something wrong... And maybe it is good for us to feel that way. It may make us more sensitive to what we do wrong and move us to repent and grow.
A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer
Right now a moment of time is fleeting by! Capture its reality in paint! To do that we must put all else out of our minds. We must become that moment, make ourselves a sensitive recording plate...Give the image of what we actually see, forgetting everything that has been seen before our time.
Nobody understands me, I'm really sensitive.
It is only too easy to compel a sensitive human being to feel guilty about anything.
Most people are ego-sensitive, not life-sensitive.
I think that in an age where so much information is flying through cyberspace, we all have to be aware of the fact that some information which is sensitive, which does affect the security of individuals and relationships, deserves to be protected and we will continue to take necessary steps to do so.
So take a new approach as to how you feel emotions. It's not about the right emotion or the wrong emotion; it's about honoring the way that you're feeling. We tend to think that being sensitive is a weakness, but it really gives us an ability to be compassionate and to appreciate so many things in the world.
Mary Kay was the wholesome personification of the American dream. For women everywhere, she brought the impossible dream to life by making it a reality. She was a very wise lady. She was a people person. She was very sensitive to the importance of recognizing people.
As some of the lowest organisms, in which nerves cannot be detected, are capable of perceiving light, it does not seem impossible that certain sensitive elements in their sarcode should become aggregated and developed into nerves, endowed with this special sensibility.
It's so much easier for me to talk about my life in front of two thousand people than it is one-to-one. I'm a real defensive person, because if you were sensitive in my neighborhood you were something to eat.
The artist must operate on the assumption that the public consists in the highest order of individual; that he is civilized, cultured, and highly sensitive both to emotional and intellectual contexts. And while the whole public most certainly does not consist in that sort of individual, still the tendency of art is to create such a public - to lift the level of perceptivity, to increase and enrich the average individual's store of values... I believe that it is in a certain devotion to concepts of truth that we discover values.
Yes, I'm a nice man and I enjoy babies. I'm a sensitive guy. I held a baby the other day and it was the first time either of us cried.
When everything that is called art was well and truly riddled with rheumatism, the photographer lit the thousands of candles whose power is contained in his flame, and the sensitive paper absorbed by degrees the blackness cut out of some ordinary object. He had invented a fresh and tender flash of lightning.
I hate a macho sort who doesn't cry. They have to be a bit sensitive, don't they? They have to be a bit sensitive, don't they?
Just as the unmusical ear is not competent to judge music, so it is likewise with pictures, whether they are paintings, drawings or photos. Only a sensitive and trained eye gives us the right to judge.
hat made me feel uncomfortable. People would be like, "Woah, that's crazy!," or they'd look at me really funny, but it also helped because that's how people look at Emily. I was like, "Come on, be sensitive! I have a scar on my face. It's not nice to just stare at somebody." That was really interesting.
I've just always been that kid that was like, "Look at me! Look at me!," and doing performances and skits. I'm also, as most artists are, a very sensitive person, so I need that outlet to release that. Art needs to be in my life, otherwise I can't function as a human being. I heard Madonna say, "Live it, breathe it, eat it." That's how I am with the artistic part of myself.
Every photograph is the result of a physical imprint transferred by light reflections onto a sensitive surface. The photograph is thus a type of icon, or visual likeness, which bears an indexical relationship to its object.
It's a real valley when I talk about veal. And calf roping. People were sensitive about calf roping. Which I think is quite funny.
People that say I'm really sensitive rarely are.
Women want a man who is sensitive, but god forbid you can't get it up after being frightened by a small woodland animal.
Dealing with architecture brings me very close to the state of mind required to make pictures. One also needs an old seeing eye, appropriate reflexes which embrace sensitive observations coupled with appropriate emotional responses.
Since 1873, I have been back four or five times. I have used the best cameras and the most sensitive emulsions on the market. I have snapped my shutter, morning, noon and afternoon. I have never come close to matching those first plates. (On photographing The Mountain of the Holy Cross)
It was like everything that supported the relationship was coming from the outside. Judging by all the signs, we were a perfectly successful couple and John was an ideal husband for me - rich, blond, tall, sensitive, ad nauseam. But even worse, it seemed as if our most intimate conversations were based on what we were supposed to be saying, and what we were supposed to be. Nothing seemed to come directly from us.
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