The great thing about Coulson is that he's a little bit like a party game, where the next person who gets ahold of him gets to write another sentence. I'm constantly learning more and more about the guy.
The only antidote to anger is to eliminate the internal sentence: "If only you were more like me."
A barbarian who could not write a sentence of grammar and hardly could spell his own name.... One of our tribe of great men who turn disease to commodity...he craves the sympathy for sickness as a portion of his glory.
To see with one's own eyes, to feel and judge without succumbing to the suggestive power of the fashion of the day, to be able to express what one has seen and felt in a snappy sentence or even in a cunningly wrought word - is that not glorious? Is it not a proper subject for congregation?
You will taste a way of life profoundly nourishing and from your tongue may spring a song or poem or sentence or word or maybe nothing but silence. Silence only the heart can turn to song.
The most challenging part of being a dad is trying to postpone the moment when they realize you don't know anything. I love any sentence that begins with Daddy...? because it's implied they're looking up to you - that you'll have the answer. The truth is, I don't have any answers.
These death sentences are cruel and unusual in the same way that being struck by lightning is cruel and unusual.
Stammering is different than stuttering. Stutterers have trouble with the letters, while stammerers trip over entire parts of a sentence. We stammerers generally think of ourselves as very bright. My own private theory is that stammerers have so many ideas swirling around their brains at once that they can't get them all out, though I haven't found any scientific evidence to back that up.
I spent nine days in the Downtown Los Angeles City Jail. The judge gave me a suspended sentence and I went to work that night - wailed just like nothing happened. What strucked me funny though - I laughed real loud when several movie stars came up to the bandstand while we played a dance set and told me, when they heard about me getting caught with marijuana, they thought marijuana was a chick. Woo boy - that really fractured me!
Words are heavy in Turkey, and every writer, every poet and every journalist knows that, because of a word, because of a sentence, because of a tweet or even a retweet, you can be sued, you can be demonized by the media and you can even land in prison.
Use "breath prayers" throughout the day, as many Christians have done for centuries. You choose a brief sentence or a simple phrase that can be repeated to Jesus in one breath: "You are with me."
Most people write the same sentence over and over again. The same number of words-say, 8-10, or 10-12. The same sentence structure. Try to become stretchy-if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you're generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed.
A dependent clause (a sentence fragment set off by commas, dontcha know) helps you explore your story by moving you deeper into the sentence. It allows you to stop and think harder about what you've already written. Often the story you're looking for is inside the sentence. The dependent clause helps you uncover it.
A good procrastination should feel like you're inserting lots and lots of commas into the sentence of your life.
Chris Matthews can't start any sentence without 'Let me ask you this... ' And I love Chris Matthews! But almost everybody in journalism does it. Who's stopping you? Just say it!
To be successful in writing, use short sentences.
Pleasantries are low entropy, biased so far that they stop being an earnest inquiry and become ritual. Ritual has its virtues, of course, and I don't quibble with them in the slightest. But if we really want to start fathoming someone, we need to get them speaking in sentences we can't finish.
I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence.
You could say this word is better to use than that word, this sentence is good and that sentence isn't. But you don't determine the value of your work for other people.
I am a big Brian Eno fan - the first few Brian Eno records are just absolute gibberish and he came up with a lot of lyrics by writing down loads and loads of random sentences and streams, and I find meaning in that music, even though he'd probably say it's absolute gibberish.
Take a report. It's dry, the sentences are clunky and unfelicitous, they're just conveying information. But it seems to me that if you're fully engaged in a great piece of literature, once you enter the rhythms of the language, which is a kind of music, meanings are being conveyed that you're not fully aware of. They enter into your subconscious.
I've written books that have taken me fifteen years, from first sentence to last, and some that only take three or four months.
When I start, I have a feeling for the characters, and maybe the shape of the story. Sometimes I might even have the last sentence in mind. But, no book I've ever written has ever ended the way I thought it would. Characters disappear, others come forward. Once you start writing, everything changes.
Once I start writing, I am a huge reviser. To me writing is revising. I probably turn over every sentence that I write, to see if I have the rhythm right. That's why my first drafts take a really long time.
What happens when you speak colloquial Hebrew is you switch between registers all the time. So in a typical sentence, three words are biblical, one word is Russian, and one word is Yiddish. This kind of connection between very high language and very low language is very natural, people use it all the time.
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