It was the single forgiving phrase in the syntax of weaponry I had strapped about me. The rest were unequivocal sentences of death.
The combination to be on guard for is young and bored, or young and resentful. You can spot them at social gatherings, the grad students or interns who tell you about syndromes, conditions, deviances, and disorders, and they love, love, love to talk. They speak in half-sentences with a knowing smile-squint, watch you falter at the pause, and then keep talking.
Sometimes I'll start a sentence and I don't know where it's going. I just hope to find it somewhere along the way. Like an improv conversation. An improversation.
Michael Koryta is that rare author who is at once a compelling story teller and a fantastic writer. From the first sentence of THOSE WHO WISH ME DEAD, you'll be under his spell. His characters are living, breathing people you'll care about; his setting is a place you'll visit and stay-long after you've decided to leave because you're scared. You can't leave; you're trapped. There are too many nerve-jangling, beautifully written, razor sharp moments and you won't want to miss a single one. This is an absolute sizzler.
Successful writers are not the ones who write the best sentences. They are the ones who keep writing.
There is a big difference between wanting to say you wrote a book, and actually writing one. Many people think they want to write, even though they find crafting sentences and paragraphs unpleasant. They hope there is a way to write without writing. I can tell you with certainty there isn’t one.
Some things you just can't explain. You don't even try. You don't know where to start. All your sentences would jumble up like a giant knot if you opened your mouth. Any words you used would come out wrong.
The maker of a sentence launches out into the infinite.
In any language it is a struggle to make a sentence say exactly what you mean.
Each letter of the alphabet is a steadfast loyal soldier in a great army of words, sentences, paragraphs, and stories. One letter falls, and the entire language falters.
The last sentence in a piece is another adventure. It should open the piece up.
Sometimes when I'm really enjoying a book, I'll read a sentence or paragraph and just think - how can someone's head be wired in such a way that they'd come up with that?
Stop using sentences in your material world that reflect what it is you do not want to be.
I began to forget myself in the middle of sentences.
Say what you have to say and the first time you come to a sentence with a grammatical ending - sit down.
Once there are good sentences on the page, I can feel a loyalty to them and start following their logic, and take refuge from myself.
Yeah, we don't consider many stupid things. I mean, we get rid of 'em fast...Just getting rid of the nonsense -- just figuring out that if people call you and say, 'I've got this great, wonderful idea', you don't spend 10 minutes once you know in the first sentence that it isn't a great, wonderful idea...Don't be polite and go through the whole process.
I assemble stories-me and a hundred million other people-at the sentence level. Not by coming up with a sweeping story line.
I do feel that if you can write one good sentence and then another good sentence and then another, you end up with a good story.
Sentence structure is innate, but whining is acquired.
If you want to know how to make people shun you and laugh at you behind your back and even despise you, here is the recipe: Never listen to anyone for long. Talk incessantly about yourself. If you have an idea while the other person is talking, don't wait for him or her to finish: bust right in and interrupt in the middle of a sentence.
Our spirit is not dependent on the brain or body. It is eternal, and no one has one sentence worth of hard evidence that it isn’t.
Digital technology, you see, is not the villain here. It simply offers another dimension. I'm not sure if it's a farther remove from reality than analogue. I think if we can speak of reality, if reality and representation can be spoken of in the same sentence, if reality even exists any more, digital is simply another way of encoding that reality.
Music: what so many sentences aspire to be.
A novel, basically, is writing one sentence — then, without violating the scope of the first one, writing the next sentence.
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