Sequence Quotes - Page 17

• A student comes to me with a piece of writing, holds it out, says, 'Is this good?' A whole sequence of emergencies goes off in my mind. That's not a question to ask anyone but yourself.

  William Stafford

  Writing, Mind, Pieces

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• Out in the sun, some painters are lined up. The first is copying nature, the second is copying the first, the third is copying the second... You see the sequence.

  Paul Gauguin

  Copying, Firsts, Sun

  Paul Gauguin (1985). “The Intimate Journals of Paul Gauguin”, p.95, Routledge

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• I have often had a retrospective vision where everything in my past life seems to fall with significance into logical sequence. Intuition, suspicion, or confidence in new ventures; there is a strange strain within me when advantage is not taken of some situation, the immediacy of recognition of the rightness or wrongness of a mood, a response, a decision - they are so often valid that I am increasingly convinced that we have yet to grasp the reality of existence.

  Ansel Adams

  Fall, Taken, Past

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• There are certain things in the scripts that need to be planned: you know, big stunt sequences, battle sequences... you can't improvise that stuff. You can improvise when there's just two of you standing in a kitchen and the most dramatic thing that's going to happen is someone's going to open the fridge.

  Tom Hiddleston

  Two, Kitchen, Battle

  "Archipelago - Tom Hiddleston interview". Interview with Rob Carnevale, www.indielondon.co.uk.

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• Shooting in real-life situations helps actors because they're competing against the noise and the wind. Out of that comes things that shift and change, in terms of tone, but not in terms of re-honing the whole sequence.

  Tony Scott

  Real, Wind, Noise

  Source: collider.com

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• Our art culture makes no attempt to search the past for precedents, but transforms the entire past into a sequence of provisional responses to a problem that remains intact.

  Andre Malraux

  Art, Past, Culture

  "The Voices of Silence". Book by Andre Malraux, Doubleday, Part IV, Chapter VII, 1953.

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• I believe that the supreme duty of the historian is to write history, that is to say, to attempt to record in one sweeping sequence the greater events and movements that have swayed the destinies of man.

  Steven Runciman

  Believe, Writing, Destiny

  Steven Runciman (1951). “A History of the Crusades: Volume 1, The First Crusade and the Foundation of the Kingdom of Jerusalem”, p.13, CUP Archive

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• Written history may, in the course of its narrative, use some of the laws established by the various sciences, but its own task remains that of relating the essential sequence of historical action and, qua history, to tell what happened, not why.

  Lloyd deMause

  Law, Historical, Essentials

  Lloyd DeMause (1975). “The New Psychohistory”, New York : Psychohistory Press

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• Suppose that the organism is given the problem of determining the analysis of a stimulus at a certain level of representation - e.g., the problem of determining which sequence of words a given utterance encodes. Since, in the general case, transducer outputs underdetermine perceptual analyses, we can think of the solution of such problems as involving processes of nondemonstrative inference. In particular, we can think of each input system as a computational mechanism which projects and confirms a certain class of hyputheses on the basis of a certain body of data.

  Jerry Fodor

  Thinking, Data, Class

  "Wittgenstein, Mind, and Meaning". Book by Meredith Williams, 2002 edition.

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• Brambles, in particular, protect and nourish young fruit trees, and on farms bramble clumps (blackberry or one of its related cultivars) can be used to exclude deer and cattle from newly set trees. As the trees (apple, quince, plum, citrus, fig) age, and the brambles are shaded out, hoofed animals come to eat fallen fruit, and the mature trees (7 plus years old) are sufficiently hardy to withstand browsing. Our forest ancestors may well have followed some such sequences for orchard evolution, assisted by indigenous birds and mammals.

  Bill Mollison

  Animal, Years, Apples

  "Permaculture: A Designers' Manual". Book by Bill Mollison, 1988.

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• Imagine you're copying a very long document, and occasionally you'll put an A where there should be a C. And that mistake has been translated down through the generations, and more mistakes have accumulated. So the longer the lineage has been in existence, the more mistakes the sequence is going to have.

  Spencer Wells

  Mistake, Long, Copying

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• For several years I've been writing 100-word pieces. More recently I've been putting them together in groups of two and three. I don't see them as sequences, but rather as companion pieces, the way that diptychs often work. The idea comes originally from the paintings of Michael Venezia who places blocks of painted wood next to each other. Proximity is a godsend. The quote is from Wallace Stevens.

  Jim Moore

  Block, Writing, Years

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• The more we study mind and matter scientifically the more we see that all things follow a natural sequence, a sequence as liable to work for our disadvantage as for our advantage. It flows like the water of a river, it falls like rain, it is as impartial as the sea. It is as innocent of malice as it is of compassion.

  Llewelyn Powys

  Rain, Fall, Compassion

  Llewelyn Powys (1961). “Llewelyn Powys: A Selection from His Writings”

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• Women are exciting for this one reason - it is the secret of women's allure - women enjoy submission, being bound. This I bring out in the Paradise Island sequences where the girls beg for chains and enjoy wearing them. Because all of this is a universal truth, a fundamental subconscious feeling of normal humans, the children love it. That is why they like Wonder Woman on Paradise Island better than anywhere else.

  William Moulton Marston

  Girl, Children, Book

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• For when the heart insists on its destiny, resisting the general blandishment, then the agony is great; so too the danger. Forces, however, will have been set in motion beyond the reckoning of the senses. Sequences of events from the corners of the world will draw gradually together, and miracles of coincidence bring the inevitable to pass.

  Joseph Campbell

  Heart, Destiny, Agony

  Joseph Campbell (2008). “The Hero with a Thousand Faces”, p.196, New World Library

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• The strength of the donkey mind lies in adopting a course inversely as the arguments urged, which, well considered, requires as great a mental force as the direct sequence.

  George Eliot

  Lying, Mind, Argument

  George Eliot (2013). “Delphi Complete Works of George Eliot (Illustrated)”, p.250, Delphi Classics

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• Carelessness is inexcusable, and merits the inevitable sequence.

  James Anthony Froude

  Merit, Inevitable, Carelessness

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• The Bible writers didn't care that they were bunching together sequences some of which were historical, some preposterous, and some downright manipulative. Faithful recording was not their business; faith was.

  Jeanette Winterson

  Bible, Faith, Historical

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• People think, 'Oh, well how can 'The Hobbit,' which is one book, become three films?' But you can take one line from an appendice and it turns into a whole sequence.

  Andy Serkis

  Book, Thinking, People

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• It is life that fights and struggles and rages; life, that tears at you in its last agonizing throes to hold on, even if but for one futile instant longer... Whereas I, I come softly when it is all done. Pain and death are an ordered sequence, not a parallel pair. So easy to confuse the correlations, not realizing that one does not bring the other.

  Vera Nazarian

  Pain, Struggle, Fighting

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• I think title sequences are an opportunity to sort of set the stage or to get people thinking in different terms than maybe whatever they understand the movie to be going in.

  David Fincher

  Opportunity, Thinking, People

  "Rooney Mara, Daniel Craig, and Director David Fincher THE GIRL WITH THE DRAGON TATTOO Interview". Interview with Steve 'Frosty' Weintraub, collider.com. December 19, 2011.

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• For any one who is pervaded with the sense of causal law in all that happens, who accepts in real earnest the assumption of causality, the idea of a Being who interferes with the sequence of events in the world is absolutely impossible. Neither the religion of fear nor the social-moral religion can have any hold on him.

  Albert Einstein

  God, Real, Law

  Albert Einstein (2013). “Einstein on Politics: His Private Thoughts and Public Stands on Nationalism, Zionism, War, Peace, and the Bomb”, p.233, Princeton University Press

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• The theory of punctuated equilibrium, proposed by Niles Eldredge and myself, is not, as so often misunderstood, a radical claim for truly sudden change, but a recognition that ordinary processes of speciation, properly conceived as glacially slow by the standard of our own life-span, do not resolve into geological time as long sequences of insensibly graded intermediates (the traditional, or gradualistic, view), but as geologically "sudden" origins at single bedding planes.

  Stephen Jay Gould

  Views, Long, Misunderstood

  "Time's Arrow, Time's Cycle: Myth and Metaphor in the Discovery of Geological Time". Book by Stephen Jay Gould, pp. 2 - 3, 1987.

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• Individual societies begin in harmonious adaptation to the environment and, like individuals, quickly get trapped into nonadaptive, artificial, repetitive sequences. When the individual's behavior and consciousness get hooked to a routine sequence of external actions, he is a dead robot, and it is time for him to die and be reborn. Time to "drop out," "turn on," and "tune in.

  Timothy Leary

  Tunes, Robots, Routine

  Timothy Leary (2009). “Turn On, Tune In, Drop Out”, p.7, Ronin Publishing

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• Drop Out--detach yourself from the external social drama which is as dehydrated and ersatz as TV. Turn On--find a sacrament which returns you to the temple of God, your own body. Go out of your mind. Get high. Tune In--be reborn. Drop back in to express it. Start a new sequence of behavior that reflects your vision.

  Timothy Leary

  Drama, Mind, Vision

  Timothy Leary (2009). “Turn On, Tune In, Drop Out”, p.7, Ronin Publishing

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