I'd love to star in a television series of my own. I love the idea of living with a character for a number of years, watching him grow.
When you're on a series, it's tough to go on and do something else afterward. If you're smart, save your money and you can wait out the bad times, until something else comes along.
I'm trying to find a character that's my age and I can sustain week after week. I'd like to do a series.
The writing day can be, in some ways, too short, but it's actually a long series of hours, for months at a time, and there is a stillness there.
I never thought in a million years that I would do a weekly series.
I was deliciously happy filming True Blood. I even kept all the scripts in my office, which I never do with any script. Although I did shred them all in one go when the series finished; it seemed like a ritual, somehow.
In this age of vampires, what I love about 'True Blood' the most is that it's a post-modern take on it. 'Sookie Stackhouse' series author Charlaine Harris and 'True Blood' creator Alan Ball turned that whole mythology upside-down... It's not just about vampires. It's about a lot of different things.
The office is a romantic enabler because you're always around the person you have a crush on. There's no escape from, and maybe no desire to escape from, those pressure-cooker conditions. And there's an automatic series of things you have to talk about all the time.
The World Series is played in my doubtless too-nostalgic imagination in some kind of autumn afternoon light, and seeing it exclusively in the bitter chill of midnight breaks the spell of even the best of games.
After doing 'Firefly' and moving on, I always wanted to be part of a series again. I love doing films, too, but there's just something special about being part of the team and feeling like you're actually a part of the family, and I always look to re-create that.
Even someone as lowly as an assistant U.S. attorney has to undergo a background check, and you're asked a series of very invasive questions, and you're expected to tell the truth and they're under penalty of perjury. And you're asked those questions so you can't be blackmailed or extorted.
In a series, you really need to stay open-minded. It's not like a play or a film, where you can create and fully commit to your character's back-story.
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
I actually have a young readers' series that I wanna do, kind of in the same lane as a Harry Potter or Narnia or Twilight. I want to write stuff like that.
I don't watch the beginnings of many series, I don't know why, maybe because I'm normally working.
You know this old style of American family series? Well, I sit there and cry.
In the year 1915 a series of trivial incidents led some Chinese students in Cornell University to take up the question of reforming the Chinese language.
Without Police Woman I wouldn't have had a career. The show started about the same time the women's movement was taking off. Ours was the first prime-time one-hour show featuring a strong, professional woman. It paved the way for other series to follow.
I hope this series is good work, but it is in the half-hour medium, which is limited to a kind of mediocrity that sponsors are just dying to have right now, and the public, for some reason, is unconsciously demanding.
I've been amazed that it's so popular with people. But it's been fantastic. People are very excited when I walk into a place and they recognize me from the series.
Writing is not a series of strokes, but space, divided into characteristic shapes by strokes.
At some point in every racer's life he has to make his peace with cheating. I do not approve of cheating ... at all. Of course, like every successful racer, I differentiate between taking advantage of loopholes in the regulations, stretching the grey areas and outright cheating. In any given racing series I will not start the cheating. If someone else starts it, I will appeal to them and to the officials to stop it. If my efforts do not succeed, then I'll show them how it is done.
One thing I would like to see is a stronger ladder series for up-and-coming American drivers.
If you expect perfection from people your whole life is a series of disappointments, grumblings, and complaints.
A game is a series of interesting choices.
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