If you want to be an actor, you need to learn how to act first, even in sketch comedy.
Well, I loved variety in television, I loved sketch comedy. At 'Saturday Night Live,' I stayed almost seven years.
Nobody wants to see sketch comedy that's the same sketch they've seen time and time again, or that's just a rehash of that thing.
That's what I love about sketch comedy: a sketch is five minutes, then it goes dark, and there's the potential for something else.
I wanted to come to Chicago. I also wanted to do "Saturday Night Live." And then I got to a place where I didn't want to do those things anymore.For the sketch comedy thing, I got cast on "MADtv," and that will kill any man's desire to do comedy.
I wanted to be an English teacher. I wanted to do it for the corduroy jackets with patches on the side. When I got to college, as I was walking across campus one day, I ripped off a little flyer for this sketch-comedy group. It ended up being one of the greatest things I've ever done.
I don't have any type of sketch-comedy or stand-up background.
I was very serene, and I still am, until I start talking in another voice, then suddenly I have a lot of volume and I'm frantic. But I didn't want to be one of those people who's always talking in accents in real life, so I started doing sketch comedy.
I've always been a big fan of comedy and sketch comedy, and I like to laugh, but you can't just be funny. You do have to work at it, and you have to try to know what your role is and when you can insert humor, or when it's best not to.
One of the wonderful things about Portlandia - and I'm not just blowing smoke, although I can blow smoke, but I'm not - is that there is an expansive feeling to each segment. It's not reductive. It doesn't seem like sketch comedy.
When I was in college my improvisation troupe and I did a road trip to Chicago, and went to The Second City to see the classic 'Paradigm Lost' revue - with Tina Fey, Rachel Dratch, Scott Adsit and Kevin Dorff. It blew my mind, and proved to me you can do sketch comedy like you're doing 'Long Day's Journey into Night.' We could treat it like theater.
In sketch comedy, wear your character like a hat, not a suit of armor.
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