I love adventure, so I'm excited to be working on something new and making the transition from reality show contestant to host.
I did not come here to repeat what you already know. I have come to reveal something new. I want to share with you a new revelation from God.
Conquering something new becomes fun, even if that thing you're conquering isn't what you'd normally do.
How do you create a film that can reach millions of people and engage them in the subject? You have to take risks and try something new.
The performances make you want to get back out there and try something new and challenge yourself.
When you choose to overcome something that could paralyze people, you have the choice to either let that happen or use that as a stepping-stone to something new and different in the future.
Feeling inspired, being challenged. Learning something new, something meaningful. Knowing change is possible and I can make that happen. Understanding and loving others, feeling truly connected and authentic. Good food, great sex, and belly laughs. All the basic foundations of happiness, really!
Nothing gets me more excited and inspired than something new.
[Exorcist ] is given all of us a great opportunity to show something new on network TV, in terms of the quality of it. It feels much bigger than a network show.
The energy of the crowd fuels something new inside. It reminds me to live in the moment.
Calling something "new age" is one of the media's biggest canons. If you're called "new age," you couldn't possibly be serious, you couldn't possibly have anything deep to say, and you probably hang out in California too much - and we know that no one in California reads books or has any serious thoughts!
People who are constantly looking for the opportunity to do something new are also people who are not going to be helped by having job titles - job titles create expectations of specialization and focus which don't map really well to creating the best possible experience for your customers.
I also have learned as an actor, this ties in the principles of improv, sometimes someone gives a piece of instruction and my first reaction is "I don't want to do that." I've always learned that every time I just say yes and go for it something happens. Whether it's what the intent of the direction was or not or something new happens. It's just remaining open to other people's ideas.
For a girl like me, I understand because working out can get really boring. Doing the same exact routine every day gets old, and you need something new and fresh to inspire you.
I'm doing something new on South Street and people are telling me I'm crazy It's kinda freaking me out.
Writers aren't like plumbers. If you're a plumber, you fix one person's boiler in the morning, then you go and fix another in the afternoon. I didn't want to write a book unless I had something new to say - and it was good to live a little in between.
My favorite job is the next one. Its such a gratifying experience getting to creatively keep trying something new and push things in a different direction.
I've love the challenge of doing something new. Bollywood is magical.
You're bigger than the toys. We are always bigger than the things we make. Put them away. Make something new with your life, with your own mind and hands.
If a scene doesn't work on three levels - it's not advancing the story, the characters, and telling me something new - then put it in the trash.
The inspiration for this movie [Something New] was this Newsweek article that came out a couple of years ago that talks about 42.4 percent of black women in America aren't married. Black women are shooting up the corporate ladder way faster than our black male counterparts. And (black men) are either dating outside their race, in jail or dying. And so if you want to have a family, you want to be married, you have to look at other options.
African-American communities have suffered under Democratic control. To those, I say the following: What do you have to lose by trying something new like Trump? What do you have to lose?
I always go into a blocking rehearsal with an anchor, with a blocking plan. And sometimes they'll step into the room and they'll be in costume and you're like, "That sucks, that's not going to work. Let's think of something new."
I felt like I had reached the end of a period of life, where the work was jumping about and pushing something new every time. I wanted to dial it back and create a language that was stable and deep.
Sometimes you've got to draw a line between having all the options and being a slave to the things, using them every time you play the guitar. I'm trying to keep a real inconsistency to the pedals so that it is something new every time.
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