In my opinion, there are no rules! If you want to rock a trend, I say go for it, and just know that you are fierce enough to pull it off! Still, I totally understand that sometimes, it can take some time to get used to seeing yourself with different makeup than you usually wear.
It is hard to keep a straight face during comedy scenes. It's considered really bad form to laugh at someone else because you can ruin their best take. But sometimes it's very hard not to.
To ask people's permission to take their pictures? Sometimes it feels right to ask, but I will not ask, unless it is essential to do so. If you asked all the time, you would miss everything. With the exception of portraits, it is generally bad news if people are looking at the camera.
I wake up in the night screaming sometimes when I've had a fight with my husband, more than with the company. I still sleep very well. I take it day by day. I am a very pragmatic person. That's how I survive.
My job is to communicate to the American people that the Muslim world is filled with extraordinary people who simply want to live their lives and see their children live better lives. My job to the Muslim world is to communicate that the Americans are not your enemy. We sometimes make mistakes. But if you look at the track record America was not born as a colonial power, and that the same respect and partnership that America had with the Muslim world as recently as 20 or 30 years ago, there's no reason why we can't restore that. And that I think is going to be an important task.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
I've learned to trust that you know what you're doing, because it gets scary sometimes. There's a lot of money being spent. If you panic, then that kind of messes with the whole creative vibe. You can't force something to happen, you have to let it all come out and believe that you'll get there in the end.
You're looking for ways always as the writer to bring readers into intimacy, you with them with you. Photos can sometimes do the opposite, create distance and perspective, but these somehow didn't. They somehow bring the reader closer.
I sometimes get commissioned to photograph families, and they see the results and say, "Oh, I look terrible." And that's when I realize the difference between the people I choose and the people who choose me.
I think making things that aren't necessarily shiny, happy feelings, putting them in that environment is sometimes an easy way to deal with the ugliness. Like, I know that as a kid, that I found - I think I learned this a bit from my mother - that if I could be as warm around strangers, no matter how strange or what different environment I was in, that people tended to be warm back.
Sometimes, when you're not getting a whole lot of attention, you're actually walking the right path.
Sometimes it's easier for me to do films about, and with, women, because I have more distance, I'm more lucid.
Sometimes you never feel lonelier than when you are always doing tons of things and traveling all over the place. There is a real feeling of loneliness sometimes.
If you are creative, sometimes you give up a lot of things that other people have.
I do question a band's longevity, because most of my favorite bands only made one or two good albums. After that, I didn't care about them anymore. Sometimes I wonder if people feel the same thing about us. The way I look at it is, if we can continue to inspire ourselves and write really beautiful music that we're proud of, I don't think there's any intention to stop.
I like textures and tones. Sometimes, it will be a melodic feedback from a song or something. I like warm, ethereal sounds. That kind of gets covered in every genre of music, so it could be a rock sample, jazz, soul, reggae.
I'm accepting of change, and accepting of transforming myself at any given time necessary. At this point in my life, sometimes I have to be mom, sometimes I have to come to work, sometimes I have to be a wife. I love that I don't ever have to be just one thing.
To be a scientist you have to be willing to live with uncertainty for a long time. Research scientists begin with a question and they take a decade or two to find an answer. Then the answer they get may not even answer the question they thought it would. You have to have a supple enough mind to be open to the possibility that the answer sometimes precedes the question itself.
In the office, I actually act quite demented the whole day. Like Monty Python. That's my favorite kind of humor. My assistants sometimes ask me to leave.
All I've learned is that you need the studio system sometimes, if your budget is a certain size, and other films you can do independently. When I think of a studio, I generally think of distribution. Since I'm a director, I have a similar creative experience on every film I do, because I can control that. But then it's a different film, I think, as it reaches the public, depending on the way it's marketed. I don't know. I haven't learned much of anything. Sometimes you need them, sometimes you don't. Sometimes they want you, most of the time they don't.
My monologues aren't always funny. They're generally thoughtful. Sometimes at different levels of aggravation. And sometimes no aggravation. But the pressure on me is not to be joke-efficient when I'm talking on this mic. And that sets the tone.
The American accent is a little bit tricky. We grew up with American TV shows, so we've had a lot of exposure to it and that helps, but there's little nuances and little details. Sometimes there'll be just a phrase or couple words that are really difficult to get your mouth around. At the end of every season we go over and revoice anything that has sound issues, including my kiwi accent coming out.
I think sometimes people become quite emotional about the characters as well, and that's pretty cool that you can get that emotion out of people. And I think that's more my motivation than like, "Hey I want to be the funny guy, I want to be that famous funny guy." That doesn't sit as well with me as the idea of taking people on this ride and taking them into the illusion of the characters. That's much more exciting for me.
You can't give up. Sometimes you get knocked down, but you have to get back up, fighting. You have to think about the others who come behind you as well. And you have to think of the example that you set for others.
I'm not immune to the readers' desires. Sometimes they are my own, because I'm a reader, too. The readers' desire to know what really happened and what didn't. To have a glimpse into what's really the author and what isn't. I think we all have that and I wonder about what it means.
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