Songwriting is not particularly easy for me. I think it would be easy for me if I didn't have such high restrictions and feelings about what I want my music to be. I'm not precious at all when it comes to producing music and I can bring that to an artist and let them expand their horizons.
It's very professionally done, very clever songwriting. I like Backstreet Boys more than 'N Sync, Britney Spears, Christina Aguilera, it's all very well done stuff. Much better than the Partridge Family and New Kids On The Block. I took my kids to see Backstreet Boys live and they flipped out
I always saw songwriting as the top of the heap. No matter what else you were going to do creatively... writing songs was king.
Country music was the music I was brought up on. It's the music that's closest to my heart and the music that speaks to me the most, and it's always been a big influence on my own songwriting.
I think I'm more prolific in the songwriting.
I never wrote poetry, just prose. I don't really consider songwriting a form of poetry either. The words are important, of course, but they're dependent on the music.
Sometimes touring can warp reality because you're never in one place long enough to get a feel for it. You don't interact with people long enough to know what real life is. That's why a lot of artists write songs about longing and missing people when they're on the road. I do my best to keep my mind open and I read a lot when I'm on tour, so I hope I have good things to write about. I'm constantly in the songwriting process.
I've always used songwriting as a way to help me organise reality.
When I started making music, I made music in a very commercial space and I didn't have room to really explore things on my own terms. It took me awhile to create a little bubble where I could explore other things, and new things. When I did that, my tools were songwriting and arranging.
I respect country music because I feel like it's more about the talent and the songwriting.
I'm the only girl songwriter that fights for a lot of things. I fight for songwriting fees, which record labels want you to shut up about.
I draw the line at letting people into my songwriting cave. To me, that's where the alchemy happens and where the mystery is.
Gatekeeper was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I havent written many like that.
I entered a songwriting competition, I didn't win, and one of the judges on the panel was an A&R man at a record label that had no other acts and I signed to them. We sent my demo out to five people and David Kahne got back to me that day, and said I think you're amazing I want to start with you tomorrow. He was like my Harvard reach school, I couldn't believe it. I was really excited. It was the first time anyone of any importance said I was good and I ran with that validation for a long time.
I see songwriting as having to do with experience, and the more you've experienced, the better it is. But it has to be tempered, and you just must let your imagination run.
When I was 15, all I knew was that I had to be somebody and that I could be somebody. So I exploited the only thing I knew, which was singing and songwriting.
Even when I stop performing or stop making records I won't stop being creative. Songwriting is a good outlet.
Canadian Railroad Trilogy is an extremely fine piece of songwriting.
My songwriting is so influenced by orchestrated music, dramatic, super glam rock-y stuff. Two of my biggest influences in songwriting were Elton John and Freddie Mercury.
What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.
Those things interest me a lot in songwriting - the human nature of how people think, and the muck that we wind up in.
With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
I'm getting bored performing the same songs over and over. Songwriting comes and goes.
I could speak Spanish fluently growing up, but I'm so out of practice, and I have such a tremendous respect for songwriting in the Spanish language.
I'm not inspired by songwriting at all; that took place years ago. I'm pretty well established, as far as my influences go. I don't listen to music anymore. It all sounds the same to me.
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