As a feminist, I think you never want to have your characters defined by the relationships that they're in, and it did give her a chance to be a sophomore in college without a boyfriend.
I've always felt like the most improvement you can make is from year 1 to year 2, much like a college freshman who the most improvement he can make in an entire one year of college football is going from year 1 freshman year to his sophomore year. Like a pro football player going from his rookie season to his second season. There's a window there that will never come again that you have a chance to making your biggest strides.
I learned hard lessons in life; I had to because I had so much happen: My mother died my sophomore year in high school. The next year, same day, my brother dropped dead. Two years after that, I got married because my girlfriend got pregnant. The year after my wedding, my father - who I had only recently met - died.
When I got into all the grunge stuff, I really liked Hole. I actually saw them in concert when I was a sophomore in high school. It was kind of rare to see a successful female rocker get down and dirty with the guys. And Courtney Love did. It was fun to be a fan of something different.
I went to Indiana University for college for a couple of years where I double majored in dance and journalism, and after my sophomore year there, I went to the San Francisco Ballet school for the summer, but then they offered me a scholarship to stay for the year. That's where I danced after the year they offered me a contract with the company.
I was kind of in an experimental phase with The Disposable Rappers. This is boring to me, because it's true, but when I was a sophomore in high school, I visited my sister in college and saw an improv troupe, and that was a genuine moment for me. It was an actual "Aha!" moment. After I saw that, I said, "I want to do comedy." So The Disposable Rappers started doing improv in addition to rapping, and when I went to college, I very specifically went saying "I want to join a comedy group."
The first time I took a fiction writing class was sophomore year. And I just found myself taking that extremely seriously, in a way that I didn't take anything else seriously. So I guess that was the start of it.
I was a very good student until about sophomore year, and that's when I just became so disillusioned with the whole thing that I just became an awful student. I was still making good grades. But I was cutting class three days a week and faking papers that I got off the internet.
And once I was in college, about - maybe the end of my first semester of my sophomore year, I realized that college just was not my jam and that I felt like I was learning more when is actually on set. And I think a lot of that had to do with - I was working while I was in college. I was on "227," so I didn't get a chance to really be immersed in the culture of my school.
In high school, some of the guys were really into music. When I first joined the team as a sophomore, I was blown away when we came out for our first home matchI'm getting goose bumps just thinking about it. The seniors would bring their whole stereo system. We started by yelling and stuff inside this little room just off the gym; then the coaches said, "Ready. Go!" We threw open the door and came running out. Even when I hear the songs now I get all jacked up.
Now that I understand how publishing schedules work, I can understand why many authors have the sophomore slump. A year is a long time to wait for a sequel, but it's a short, short time to WRITE a sequel.
My career has been: first you have to prove yourself, then there's the sophomore record, then there's this thing and that thing, and you always want to be understood.
In the summer between my freshman and sophomore year, my grandfather got me a job at a local messenger company working on Wall Street. I was lucky enough to have been in the business during a stock market boom but just before the fax machine appeared on the scene, let alone email and the Internet. As a result, the messenger business was booming.
It's just like high school. If you're a freshman or a sophomore, it's hard to tell the seniors who've been through two, three, playoff games what to do.
Man is an eternal sophomore.
For a person whose sole burning ambition is to write - like myself - college is useless beyond the Sophomore year.
Well, my background is journalism. I don't have any creative-writing experience except for one class I took as a sophomore in college.
I've seen him be successful throwing the football his sophomore year, I've seen that. I've seen him react through adversity, I have seen that. I'd never seen him react to a new system because we didn't have one. I'd say that'd be the most impressive thing.
The New York Times reports that Moammar Gadhafi spent his last days hovering between defiance and delusion, surviving on rice and pasta. In other words, Gadhafi spent his last days as a sophomore in college. That's what I did.
My very first acting job ever, the first time I got paid to be an actress, was in 2001, right between my sophomore and junior year in college, when I was just 19 years old. I got paid $250 every two weeks, 10 shows a week, to be in the Utah Shakespearean Festival. I was Calpurnia in 'Julius Caesar.'
I knew that I wanted to pursue acting as a profession during my sophomore year of college. One of my Professors (Karen Deacons-Brock) at N.C Central University assigned me to perform a one woman show for my final project and it was then, along with her encouragement, that it was time for me to move to NY in pursuit of a professional acting career.
Living in a bubble as I said in a featherbed of privilege. That's why leaving home, leaving the prep school and going to the University of Michigan in the early '60s was a moment of awakening and to go to a place like Michigan and to see suddenly a world in flames and the injustices all around was quite a wake up call. I lasted a year and a half at Michigan before I dropped out and joined the merchant marines and I was a merchant marine for my sophomore year then I came back to Michigan.
My sophomore English teacher encouraged me to write for the school paper, and that's what got me started. Suddenly it struck me that being a writer could be a romantic and adventurous position. Previously, I had thought I would be a tennis pro, giving lessons at a local club. I thought that would be a good life, and it might have been.
Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.
We were very excited and we brought speakers in then it so happened that there was a marine recruiter in the center of campus and one of our brothers, one SDS person put up a sign with a quote from the Nuremberg trial and an arrow point at the marine recruiter, saying, "This man is a war criminal." My younger brother and I, he was freshman and I was a sophomore, got caught up in the debates that were swirling around the center of campus and the young Trotskyists had put out a fact sheet on Vietnam that was phenomenal.
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