Winning in Monaco is always special. That track has always been good to me. I won there in Formula 3000, battled for the victory with Williams in 2006 and now I've won two of the last three grands prix there.
Before I start painting I have a slightly ambiguous feeling: happiness is a special excitement because unhappiness is always possible a moment later.
A man who doesn't make you feel special, wanted or important would make a very poor husband.
It's your time for a breakthrough! Make up your mind to leave the past and the old you behind. Focus on giving birth to a new you....the real you. It is your time to create a turning point for the better in your life. It is your destiny to be healthy, happy and successful.Your future is open, full of possibility and promise! Buckle down and do whatever is required to create a life that you are proud of and a life that you deserve! Don't look back!! Look ahead, move forward and make this your best year ever! You have the something special. You have GREATNESS within you!
No test... no testimony. You can not make lemonade with sugar alone... you must have some sour lemons. You can not learn good horsemanship by riding a tame horse. The harder the battle, the sweeter the victory. Regardless of what happens to you, never say you are having a bad day... say you are having a character building day. All the things that you are going through are building your character. You are being shaped and designed for your greatness. You have something special! You have GREATNESS within you!
The most interesting persons are always those who have nothing special to do: children, nurses, policemen and actors at 11 o'clock in the morning.
I make no apologies for Popeye. Behind M*A*S*H, it's my biggest hit. It got maligned by the critics because it wasn't Superman. It wasn't about special effects and it wasn't made for 14-year-old boys. The majority of films are made for 14-year-old boys; I don't know where they get the eight bucks to get in. It's hush money from the parents.
The Aristocratic Institutions of England [had] acted much like the Slavery Institutions of America... [in] demoralis[ing] large classes outside their own special boundaries... [in producing] a long habit of submission... [and in] enfeebl[ing] by corrupting those who should assail them.
For atheism and polytheism there is no special problem of suffering, nor need there be for every kind of monotheism.
Eating takes a special talent. Some people are much better at it than others. In that way, it is like sex, and as with sex, it's more fun with someone who really likes it. I can't imagine having a lasting friendship with anyone who is not interested in food.
I don't like to put too much effort into things. I find that once you get involved with special effects it is no longer about what is happening in front of the camera and I really want to concentrate on what is happening in front of the camera, like the man apparently peeing on the surface of the screen.
We live in a silly time, and people go to the movies to see something that they haven't seen before, and you have to promise to show them that. In a horrible way, you have to promise them a special effect.
I love Mexico because that's where I'm from, but my favorite city, whenever I need to recharge, I love Paris. I get very inspired while I'm there. There's so much art and culture, and Paris, before New York, that was the capital of the world. And I love history too, so I go there. It does something special to me.
To me, jewelry is a natural progression and there is something so meaningful and magical about creating that one of a kind, special piece.
I think that my relationship with my fans has been very special from day one. It's been very special in spite of the fact that I don't think I would ever be able to call myself a press darling. I don't think there's ever been a superficial hype machine around me.
I think I will always feel a special relationship with The Umbrellas of Cherbourg, because for me it was something very, very special. It was a modern opera, and to play the heroine in a film that became such a success at a young age, and learning from him when I was so young and impressionable - really it was one of my most important experiences.
I don't want any special powers. I'm powerless. I wouldn't want to see into the future, I wouldn't want to know what anyone was thinking, ever! And I don't want to relive my past.
I think the painted backgrounds in animations are absolutely stunningly beautiful. There's something really special about this medium. I don't believe audiences have grown past it. I think what audiences love is to be entertained-thoroughly, deeply entertained, and that's what I've always set out to do.
It [moviemaking] is about entertaining audiences with great characters and great stories, you want to make people laugh, you want to make people cry, you want to have great music that is memorable. You want a movie that, as soon as it's over, you want to watch it again, just like that. That's what it is, whether it's live-action, animation, hand drawn, computer, special effects, puppet animation, it doesn't matter. That's the goal of a filmmaker.
In regards to those other franchises that are being remade, we must take pains to mention that we're the only one where the original creators are actually making the movie. It's a special feel of quality, like a Good Housekeeping quality.
The smaller and younger kids are, the more patient you have to be. But if they're gifted, then it's a wonderful present that you're given by having a child like that in your film... more so than in the case of actors because, for example, if you ask them to play a lion, they don't then play a lion, they actually are a lion. So, a gifted child is something very special. On the other hand, if a child has no gifts in that way it's absolutely hopeless and there's nothing you can do!
The normal routine is always the same thing whether it's on a new movie or a new job - there's always a process of getting to know one another. I think part of what makes movies special is that it is a relatively intimate environment and it's pretty short-lived - you get to know one another very quickly.
One of those things where immediately when you started reading it, you knew it was something special and then the more you read, the more it surprised you, and the more you realized it was devoid of stereotype .
The creation of the island, or the impression of the island, as it changes in the mind of the character also came in to play... there was another very important collaborator, Rob Legato, on special visual effects. And then ultimately there's Thelma Schoonmaker, who keeps me focused during the editing of the picture.
The entrances I make now, when we kick in the door of a high-risk warrant, eighty percent of the homes we're kicking into, it's dark in there for some reason. That's just the way the bad guys are doing it now. So now all of my sights are night sights; I've also put special light rails on the bottom of all of them so I can put a special light on them that's combination white light/laser.
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