Improv Everywhere tramples the lines drawn between spectacle and spectator, theatre and real life, public and private, performance and protest, and reclaims the streets for ordinary people.
If long hitting is the thing that causes the spectators to whistle through their teeth in wonderment, why not play tournaments up and down an expansive stadium?
The truth does not reveal itself to idle spectators.
We do not belong to this material world that science constructs for us. We are not in it; we are outside. We are only spectators. The reason why we believe that we are in it, that we belong to the picture, is that our bodies are in the picture. Our bodies belong to it. Not only my own body, but those of my friends, also of my dog and cat and horse, and of all the other people and animals. And this is my only means of communicating with them.
It is not possible to be regarded with tenderness, except by a few. That merit which gives greatness and renown diffuses its influence to a wide compass, but acts weakly on every single breast; it is placed at a distance from common spectators, and shines like one of the remote stars, of which the light reaches us, but not the heat.
Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me.
One half of the pleasure experienced at a theatre arises from the spectator's sympathy with the rest of the audience, and, especially from his belief in their sympathy with him.
Will an intelligent spectator not admire the prodigeous structures of Stone-Henge because he does not know by what law of mechanics they were raised?
I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.
The stakes ... are too high for government to be a spectator sport.
In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift from objective to subjective--and to any number of subjective points of view--and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater.
The Author is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at.
When searching for harmony in life one must never forget that in the drama of existence we are ourselves both actors and spectators.
I will begin with what in my opinion is your lack of restraint. You are like a spectator in a theatre who expresses his enthusiasm so unrestrainedly that he prevents himself and others from hearing. That lack of restraint is particularly noticeable in the descriptions of nature with which you interrupt dialogues; when one reads them, these descriptions, one wishes they were more compact, shorter, say two or three lines.
Don't live life as a spectator.
Diminished circumstances had no effect on his sense of what was honorable: after The Spectator sent him a check for a piece it had accepted but was unable to run for a lack of space, he refused to write for the magazine again.
Is there in painting an effect which arises from the being together of repose and energy in the artist's mind? - can both repose and energy be seen in a painting's line and color, plane and volume, surface and depth, detail and composition? - and is the true effect of a good painting on the spectator one that makes at once for repose and energy, calmness and intensity, serenity and stir?
Human life is basically a comedy. Even its tragedies often seem comic to the spectator, and not infrequently they actually have comic touches to the victim. Happiness probably consists largely in the capacity to detect and relish them. A man who can laugh, if only at himself, is never really miserable.
The artist invites the spectator to take a journey within the realm of the canvas... Without taking the journey, the spectator has really missed the essential experience of the picture.
I'm not the sort of person who poses in their underwear. I hate the red carpet. I prefer the green grass. After the games the highlights show mostly the goals, scoring chances, assists. The spectator tends not to remember that as a goalkeeper I make difficult saves at great risk and start moves with my efforts.
I believe that the artist doesn't know what he does. I attach even more importance to the spectator than to the artist.
Environmentali sm isn't a spectator sport. You actually have to stand up and demand that we be vigilant in protecting our air and water.
It is with art as with love: How can a man of the world,with all his distractions, keep the inwardness which an artist must possess if he hopes to attain perfection? That inwardness which the spectator must share if he is to understand the work as the artist wishes and hopes... Believe me, talents are like virtues; either you must love them for their own sake or renounce them altogether. And they are only recognized and rewarded when we have practised them in secret, like a dangerous mystery."
I Chose to be an active participant in my life rather than a spectator.
The church is not an audience of spectators; we are a fellowship of disciple-makers
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