May the Force be with you.
Carpe diem. (Seize the day.)
You're gonna need a bigger boat.
Frankly, my dear, I don't give a damn.
After all, tomorrow is another day.
You can't handle the truth!
Mrs. Robinson, you're trying to seduce me... aren't you?
Gentlemen, you can't fight in here! This is the War Room.
I am big. It's the pictures that got small.
Avant-garde means never having to say you're sorry.
I'll make him an offer he can't refuse.
I'm going to make him an offer he can't refuse.
My momma always said, "Life was like a box of chocolates. You never know what you're gonna get."
Being an American means never having to say you're sorry.
For the taxable investor, indexing means never having to say you're sorry.
Vasectomy means never having to say you're sorry.
Keep your friends close, but your enemies closer.
A boy's best friend is his mother.
I think there is an immense charm and humanity about the Bollywood structure, probably in the way there was about Hollywood film in the '30s and '40s. Somehow they were less distracted about hardware, and more about production values and people, you know?
To say "I accept" in an age like our own is to say that you accept concentration-camps, rubber truncheons, Hitler, Stalin, bombs, aeroplanes, tinned food, machine guns, putsches, purges, slogans, Bedaux belts, gas-masks, submarines, spies, provocateurs, press-censorship, secret prisons, aspirins, Hollywood films and political murder.
But it's a strange thing when people judge you because you're not doing some big Hollywood film. Are you suggesting I should be in The Dukes of Hazzard? I mean, hello?
You have more and more people coming into the tent with the creative guys [on Hollywood films]. You have marketing and concept testers, advertising people. What you find gets the high numbers is easily appealing subjects: a baby, a big broad joke, a high concept. Everything is tested. The effect is to lessen the gamble, but in fact you destroy a writer's confidence and creativity once so many people are invited into the tent.
In an ideal world, I'd bounce between big projects and no-budget TV dramas with fantastic scripts. A lot of Hollywood films tend to be bloated, bombastic, loud. At the same time, I do like the infrastructure of making a blockbuster; it's like having a big train set.
Astonishing times. Who would have imagined that the Crazy Gang would yield a Hollywood film star (Vinny Jones), a British television ever-present (John Fashanu) and now a televised African dance champion?
I will only do a Hollywood film when there is something special offered to me.
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