You're gonna need a bigger boat.
Carpe diem. (Seize the day.)
Frankly, my dear, I don't give a damn.
You can't handle the truth!
Mrs. Robinson, you're trying to seduce me... aren't you?
May the Force be with you.
After all, tomorrow is another day.
I am big. It's the pictures that got small.
Avant-garde means never having to say you're sorry.
Vasectomy means never having to say you're sorry.
For the taxable investor, indexing means never having to say you're sorry.
Gentlemen, you can't fight in here! This is the War Room.
I'll make him an offer he can't refuse.
I'm going to make him an offer he can't refuse.
Being an American means never having to say you're sorry.
My momma always said, "Life was like a box of chocolates. You never know what you're gonna get."
A boy's best friend is his mother.
Keep your friends close, but your enemies closer.
When they were making black films in the '60s and the '70s, everyone knew their place, if you get my drift. You understand? Everyone knew the rules, and everyone knew their place. Everyone knew what to say. They had the written rules in Hollywood film, and the unwritten rules.
Making a Hollywood film you don't have a very big movie because they have a Safety Captain and insurance people on the set. They have to check first. 'Don't do it. Let me check. Make sure everything is safe.'
I am not going to do a film based on a bad scenario just to make a big Hollywood film or work with Hollywood stars.
I do like musical films more than big Hollywood films, especially those by Jacques Demi and Vincent Minelli.
I think a lot of African-American kids don't have fathers to teach them how to dress, so you end up being taught by pictures in magazine and movies. You see cowboys, Indians, old Hollywood films, Cary Grant. It has an effect on you.
I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.
Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me. I use direct sound, mono not stereo. Just direct sound, so for every shot there are only two sources. Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.
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