Mathematics is not a spectator sport!
We all have a choice. We all have a say. We are spectators in life or we get in and play. Whichever we choose, how we handle lifes game, the choices are ours no one else is to blame.
A picture is nothing but a bridge between the soul of the artist and that of the spectator.
The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself.
The oppressors develop a series of methods precluding any presentation of the world as a problem and showing it rather as a fixed entity, as something given--something to which people, as mere spectators, must adapt.
People have to be atomized and segregated and alone. They're not supposed to organize, because then they might be something beyond spectators of action. They might actually be participants if many people with limited resources could get together to enter the political arena. That's really threatening.
. . . All these readers have placed themselves inside this story, not as spectators, but as participants, and so have looked at the world, not with my eyes only, but also with their own.
Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me. I use direct sound, mono not stereo. Just direct sound, so for every shot there are only two sources. Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.
However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the lay, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.
I'm a citizen in a democracy. To call me an activist would be redundant. It's not a spectator sport. If we all become non-participants, it no longer works.
People are very afraid of any controversy. We've become very passive spectator types. And when the kids were protesting globilization - quite reasonably - they really got bashed.
The emotions of the spectator will still be very apt to fall short of the violence of what is felt by the sufferer. Mankind, though naturally sympathetic, never conceive, for what has befallen another, that degree of passion which naturally animates the person principally concerned.
The more elaborate your narrative, the more the spectator shuts up and listens obediently. And if the filmmaker keeps quiet, the spectator will himself project his own assumptions and sentiments onto the screen.
No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling, even if it be only the faintest shadow - and if it does not do so it is bad art and false morals.
At festivals there's always one spectator from Egypt who says, 'I like it, it moved me, reminds me of so many things.' I get a lot of reaction from the Arab world at fests. But the percentage of people from the Arab world who like it should be the same as anywhere else.
It is the spectators, the people who are outside, looking at the tragedy, from whose ranks the skeptics come; it is not those who are actually in the arena and who know suffering from the inside. Indeed, the fact is that it is the world's greatest sufferers who have produced the most shining examples of unconquerable faith.
As a spectator, I have very eclectic taste, whether it's comedies or action or very small, intimate films. And I feel as a filmmaker I should be able to have that same eclectic taste.
My thinking was that today's spectator is so well-versed in film language that all theories about suspense, as argued by Dreyer and Hitchcock, on what makes you scared in cinema, can be ditched. It's the spectator, finally, who's going to construct the menace and the fear.
Nearly always, so as to live at peace with ourselves, we disguise our own impotence and weakness as calculation and policy; it is our way of placating that half of our being which is in a sense a spectator of the other.
You are no Satyagrahi if you remain silent or passive spectators while your enemy is being done to death.
I like watching films that are 94 minutes as a spectator. I think it's rare that you don't come out, even from a good film, thinking I wish it could have been a little bit shorter.
I think spectators and fans are very important. Darts players would be nowhere without them.
I was surprised at the silence and the absence of movement which our departure caused among the spectators, and believed them to be astonished and perhaps awed at the strange spectacle; they might well have reassured themselves. I was still gazing when M. Rozier cried to me - "You are doing nothing, and the balloon is scarcely rising a fathom."
Let me... remind you that it is only by working with an energy which is almost superhuman and which looks to uninterested spectators like insanity that we can accomplish anything worth the achievement. Work is the keystone of a perfect life. Work and trust in God.
It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator.
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