It is my conviction that the public always shows itself more honest in its spontaneity than do those who officially set themselves up as judges of works of art.
Shouldn't it give us pause that the oldest works of art are as impressive today in their beauty and spontaneity as they were many thousands of years ago?
I got myself into a lovely little shall we say controversy with André Breton, by pointing out that the discipline of spontaneity, which he was asking his surrealist neophytes to adopt, was new for language but something that composers had been practicing for centuries.
Faith is from within; it is the outbreaking of human spontaneity; it is force of soul, grandeur of sentiment, magnanimity, generosity, courage. Its formulas are naturally unintelligible in their literal tenor; for, otherwise, they would represent that which is scientifically known, and would not be the mere provisional clothing of that which is not objectively given, but subjectively projected from the inmost depth of the soul.
The complete and definitive work of art is created beyond one's individuality... ...The universal transcends such a level. Mere spontaneity has never created a work of art which possesses a lasting cultural value. The method leading to universal form is based upon calculations of measure and number.
Music gives me a lot of peace, either classic music with its structure or the spontaneity of Miles Davis. It brings the best in you.
The first typical adolescent of modern times was Wagner's Siegfried. : the music of Siegfried expressed for the first time that combination of (provisional) purity, physical strength, naturism, spontaneity and joie de vivre which was to make the adolescent the hero of our twentieth century, the century of adolescence.
For an entire populace, change, growth, and spontaneity were dangerous. Acting upon a personal desire, whispering a hidden longing, revealing your true feelings - all the human actions we think of as essential to a character - had be censored by the self lest they be punished by the state.
Having the presence of mind to react to any situation onstage is what makes the best performers keep their spontaneity intact.
What I've learned is that love is made up of three ingredients: consideration, spontaneity, and [whispers] oral sex for guys and women.
I have a great deal of respect for the craft, I don't know how much respect it has for me. But it's a precision process. Doing it on stage would be, I think, terrifying. Doing it on film has its own difficulties, because film is not conducive to spontaneity. You might have a run through and get a few chuckles at eight o'clock in the morning, but you don't keep laughing at the same thing all day long.
So, you don't have laughs as a reference point any more, it becomes a bit of a science after that. And the last thing, you would love to be able to depend on a sense of spontaneity, but hours of waiting and then hours of repetition are not conducive to spontaneity so those are your obstacles. On the other hand it's a lot of fun. Plunging into a bit of physical comedy and abandoning all dignity, no one can really hurt you much after you much after that, once you've done it.
Catch instants. Spontaneity, freshness.
I'm a huge fan of Jesus Culture. I absolutely love them. I listen to them a lot. My wife loves them as well. I'm unashamedly a Jesus Culture fan. I love the spontaneity. They'll play a song and it will go for like 25 minutes. That kind of worship, and how they lead people into the presence of God, is just awesome.
Unless your life arises from your spontaneity, from your very empty heart, it is going to be just superficial. And with the superficial you cannot be blissful.
What happens in the studio is technically the same thing that happens on the stage. In the past I had to make quite brutal adaptations of the material to make it work on stage. I don't always like doing that because sometimes you're shaving away the things that you actually quite like about them, the spontaneity of it.
I write and rewrite and memorize, and then inject my performance with improvising and spontaneity, because if something feels too rehearsed, it's not going to be fun.
[As a kid] I felt it was really weird that music schools behaved like a conveyor belt to make performers for those symphony orchestras. If you were really good and practiced your violin for a few hours a day for ten years you might be invited to this VIP elite club. For me music was not about that. It is about freedom and expression and individuality and impulsiveness and spontaneity. It wasn't so Apollonian; it was more Dionysian.
Over the last two or so decades, there's been an increase in thinking among the Left, liberals, intellectuals in the direction of so-called spontaneity. In other words that uprisings happen spontaneously, people are frustrated, angry, then they spontaneously rise up. And what they don't require is preparation, or what we used to call leadership.
I consider this a kind of neoliberalism of the Left, this rise and promotion of spontaneity above preparation.
I understand politically that uprisings take place as a combination of spontaneity and preparation, not that preparation is more important than spontaneity.
Once the Eastern Bloc collapsed, what I call 'historical spontaneity' prevailed and the countries that were subject to Soviet control naturally gravitated to the West. That's where they sought their security; I don't think there was a way to avoid that. If we tried to exclude them, we would have today not one Europe, we would have three Europes: one in the West, one in the middle and one in the East, and the middle would be insecure and a tempting target. The insecurity felt [today] by Eastern Europe would be replicated on a much larger and more consequential scale.
It's up to us to make the accommodations for all sorts of different travel scenarios. It's amazing how many companies aren't really in tune to the needs of different travelers. There's just so many embarrassing situations that you go through when you travel. You have to have a sense of humor about it and take it in stride. My whole approach is to embrace spontaneity.
The big problem for comic art is you don't want to overwork it. If a drawing is overworked it isn't funny. It's the spontaneity that keeps a work fresh and funny. If they can see how hard you work, if they can see the beads of sweat, it's no good. I always try to make it look easy.
Comedy, sometimes if you think about it too much then it becomes a bit boring. If you start thinking about striking the right balance sometimes it takes the spontaneity out of it.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: