It was great for me getting a chance to grow up as a normal kid just out of the spotlight, versus all of them growing up in New York. They always had that intense media and spotlight on them.
I was 16 at the time, and I came backstage and started hanging out with them. I said, "Well, maybe you can 'vanish' the silk this way." The opening was a black stage while the "Magic to Do" song started playing. All you saw were hands, lit by Jules Fisher, and then Ben Vereen would appear beyond the hands, and at the end of the scene he would vanish a silk. The spotlight would hit a red spot on the floor where you'd see the silk on the floor. He'd pull the silk out of the floor and it became the entire set coming out of the floor.
I think we've created a system here where only the lifelong politicians, who are used to this kind of life in the spotlight and don't care, or people who have egos along the lines of Donald Trump - who just don't care what people say about them - they're the only people who are ever going to run because nobody wants their life dissected as meanly and as randomly as our media has come to do with anybody who runs for office.
I don't want to be in the spotlight so bad that I'm going to sell my soul, or sell my creativity short.
Well advice people have told me that is that, "If people aren't suing you, you haven't made it," which I don't necessarily believe but with greater success comes greater responsibility and being one of the few female entrepreneurs who I think has been as public as I have been, you're definitely under a spotlight. It's difficult to manage.
I think that happens to a lot of people who find themselves thrust into the spotlight and becoming famous before they recognize what's happening to them. Life becomes a little distorted for them.
This has been my struggle for years - the pull between wanting to be in the spotlight and yet also to make a difference in the world. Lately I've come to conclude that I can be a "selfish" artist that focuses on issues of individuation, power, and freedom.
When I did my first solo show and it made my dad uncomfortable, I wasn't quite ready for my spotlight moment in my life yet. I didn't have enough sense of myself and self-esteem and confidence: this is when I started looking to get my master's in something.
There's a lot of instant spotlight and pressure when it comes to a Bond song.
It is your duty to examine the conduct of public figures and to place them in the spotlight - that is your duty.
I didn't think I'd be a good therapist. I didn't think I could do both at the same time. Maybe some people can, but I wanted a bigger spotlight and I don't think that's right for clients to have a therapist who wants that kind of life.
I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.
If a dishonest creep wants to tap dance, give them the spotlight and a mirror.
[Michelle Obama] was the hardest sell. And she never fully embraced being in the public spotlight, which is ironic, given how good she is.
The superhero shows and movies are always having the spotlight on the superheroes themselves. It's never about the people who are living in that world and then trying to go about their life without the superheroes involved. It's about what that actuality would be like.
What we're doing is not just about becoming a model. It's bigger than that. It's shining a spotlight on folks who know who they are. They know what they want to do. And in terms of modeling, they're already working. They know what they're doing! They're fantastic!
Leading with character gives the wise leader clear-cut advantages. They are easier to trust and follow; they honor commitments and promises; their words and behavior match; they are always engaged in and by the world; they are open to "reflective backtalk": they can speak with conviction because they believe in what they are saying...and everyone else knows that. They are comfortable in their own skin. They feel at ease in the spotlight and they enjoy it there. They tend to be more receptive to opportunity and risk.
Basically it's the idea of celebrities being in the spotlight and just because you think that they should be perfect, that they're still human and they still have flaws just like everyone else. So that was the real meaning behind "Dollhouse", at least how it related to me because it's something I was annoyed with at the time.
I'm learning in my own sort of quiet, out-of-the-spotlight kind of way. I certainly have my general point of view about the government, and the future of our children. I'm certainly learning all the time, I'm happy to be an onlooker for now.
As a performer, much of my life has been spent in the spotlight. I know how important appearance can be to teens, especially the impact it can have on the way you feel about yourself.
I don't want to be at a point where I'm trying to steal the spotlight from the team or anyone else or make it seem like it's just about me.
Ironically, when I hit adolescence, I was approached about modeling and acting all the time. And, for five years, I said, "No, I'm not interested. I want a simple life, I don't want to be in the spotlight."
So the aim for the press was a mixture of things: to publish under-represented writing, which is an intersection of original language, style, content, and often its author's gender. To publish it properly, in a way that makes it clear that this is art, not anthropology. To spotlight the importance of translation in making cultures less dully homogenous.
When I was about five my dad built a stage for me in our basement. A full stage, with a curtain, a backdrop and a dressing room. There were three colored spotlights - a red one, a white one, and a blue one. Blue was for nighttime scenes, and red was for when we were in hell. If the neighborhood kids wanted to use the stage, they had to incorporate me into the play.
It is like using a smoke screen, the same thing for an individual. The topic here is Islam. If French politicians are no longer talking about Islam, they know they will have to talk about something else, which brings the spotlight on their inefficiency. They will have to talk about domestic social and economic issues and they will have to justify their foreign policy, which is obviously something they need to avoid at all costs.
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