Subjects Quotes - Page 6

• NO error is infused into the young mind, to lie there dormant, or to be reproduced only when the subject of thought or action recurs to which the error belongs; but the error becomes a model or archetype, after whose likeness the active powers of the mind create a thousand other errors.

  Horace Mann

  Lying, Errors, Mind

  Horace Mann (1867). “Thoughts”, p.69

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• On the whole, however, the conclusions I have drawn from the proofs quoted may, I believe, safely be relied on. Assuredly they will not be disturbed either by the lays of a poet displaying the exaggeration of his craft, or by the compositions of the chroniclers that are attractive at truth's expense; the subjects they treat of being out of the reach of evidence, and time having robbed most of them of historical value by enthroning them in the region of legend.

  Thucydides

  Believe, Historical Value, Crafts

  Thucydides, Ruth Finnegan “History of Greece”, Lulu.com

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• My relationship with my grandmother has gone from strength to strength. As a shy, younger man it could be harder to talk about weighty matters. It was: 'This is my grandmother who is the Queen, and these are serious historical subjects.'

  Prince William

  Queens, Grandmother, Men

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• I think that the gifts of the spirit are always subject to the control of the person who's exercising them. You're not forced in to doing it. Love never forces. And therefore 'the spirit of the prophet is subject to the prophet' is another way it is put. You don't suddenly find yourself taken over by a spirit and find yourself speaking tongues. You're in control, but it's a gift. You can stop and start as you please, but it's a way of communicating with God.

  Nicky Gumbel

  Taken, Exercise, Thinking

  Source: www.theguardian.com

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• When a painter is working he is aware of the means which are available to him - these include his materials, the style he inherits, the conventions he must obey, his prescribed or freely chosen subject matter - as constituting both an opportunity and a restraint.

  John Berger

  Mean, Opportunity, Challenges

  John Berger (2011). “Sense of Sight”, p.203, Vintage

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• Ignorance breeds fear; the more you learn about your subject, the less fear it holds for you.

  Brian Tracy

  Ignorance

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• About 95% of people can be compared to ships without rudders. Subject to every shift of wind and tide, they're helplessly adrift. And while they fondly hope that they'll one day drift into a rich and successful port, you and I know that for every narrow harbor entrance, there are a 1,000 miles of rocky coastline. The chances against their drifting into port are 1,000 to one.

  Earl Nightingale

  Successful, Wind, People

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• Man..must necessarily be subject to the laws of his Creator, for he is entirely a dependent being..And, consequently, as man depends absolutely upon his Maker for everything, it is necessary that he should in all points conform to his Maker's will.

  William Blackstone

  Men, Law, Conformity

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• Gold and silver are no doubt subject to fluctuations, from the discovery of new and more abundant mines; but such discoveries are rare, and their effects, though powerful, are limited to periods of comparatively short duration.

  David Ricardo

  Powerful, Discovery, Doubt

  David Ricardo, John Ramsay McCulloch (1846). “The Works of David Ricardo ...”, p.11

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• I've opened my mouth on a lot of subjects. And I thought the more prestige you get, I'd have the power to do what I like. It's not true.

  Vanessa Redgrave

  Power, Mouths, Prestige

  Biography/Personal Quotes, www.imdb.com.

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• I've tried to make a book that's accessible to the ordinary, intelligent reader. Very often books that cover this kind of subject are written by academics, for academics. But I am not an academic.

  Brian Crozier

  Book, Intelligent, Ordinary

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• It is so much better to make a big thing out of a little subject than to make a little thing out of a big one.

  Charles Webster Hawthorne

  Littles, Little Things, Bigs

  Richard Mühlberger, Charles Webster Hawthorne (1999). “Charles Webster Hawthorne”, University of Washington Press

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• And government (to define it de facto, or according to modern prudence) is an art whereby some man, or some few men, subject a city or a nation, and rule it according to his or their private interest; which, because the laws in such cases are made according to the interest of a man, or of some few families, may be said to be the empire of men, and not of laws.

  James Harrington

  Art, Men, Law

  James Harrington, J. G. A. Pocock (1992). “Harrington: 'The Commonwealth of Oceana' and 'A System of Politics'”, p.9, Cambridge University Press

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• Society is the offspring of leisure; and to acquire this forms the only rational motive for accumulating wealth, notwithstanding the cant that prevails on the subject of labor.

  Henry Theodore Tuckerman

  Society, Leisure, Wealth

  Henry Theodore Tuckerman (1850). “The optimist”, p.115

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• The character of the subject must influence the choice of the method of its representation.

  Walter J. Phillips

  Character, Choices, Influence

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• Annoyance arises from the feared implication that we are copyists in subject or treatment, or both, whereas the common qualities that establish the relationship result merely from a similarity of method.

  Walter J. Phillips

  Quality, Copying, Common

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• It is often said that the modern exhibition has ruined painting. It is an unfortunate fact that it does encourage competition, so that, to attract attention to his work, an artist is tempted to descend to sensationalism, whether it is expressed by strong colour, grotesque handling, unusual subject, or sheer size.

  Walter J. Phillips

  Strong, Artist, Competition

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• While it is emotion that gives an impulse to the landscape painter, it is his style that inspires the critic's praise, and his subject that inveigles the untutored beholder.

  Walter J. Phillips

  Giving, Inspire, Style

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• When you write something new about science, other scientists may not like it but they pay attention because it is subject to proof. When you write something new about art, it is subject only to the reader's discomfort, and will probably be rejected.

  Walter Darby Bannard

  Art, Writing, Attention

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• One wants to see the artifice of the thing as well as the subject.

  Richard Diebenkorn

  Want, Wells, Artifice

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• The area between the nose and the chin, the subject of kissing and the vehicle for speech, is perhaps even more known and set upon than the eyes. The mouth is also riddled with a complex interweaving of folds, curves, flats and lost-and-found edges. These nuances are needed by a perceptive person who might try to understand human nature.

  Robert Genn

  Eye, Kissing, Curves

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• I simply like the monumentality of the subjects - the opportunity for metaphor and the varied light that comes with high altitudes.

  Robert Genn

  Opportunity, Light, Metaphor

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• When shucked and released from its edges, the windowless subject stands alone as its own thing.

  Robert Genn

  Stand Alone, Edges

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• Whenever I can, I paint the powerful and obvious things in my subject first.

  Richard Schmid

  Powerful, Obvious Things, Firsts

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• You can stick with a few clear-cut values, which are stronger than a multitude of values and will obviously yield a stronger painting. But not all subjects or light conditions appear that way... be sensible and paint with values that are appropriate and faithful to your subject.

  Richard Schmid

  Cutting, Yield, Light

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