Sundance is weird. The movies are weird - you actually have to think about them when you watch them.
I have vision and the rest of the world wears bifocals.
Sundance was started as a mechanism for the discovery of new voices and new talent.
You know, when I was a kid, I always thought Id grow up to be a hero.
Kid - the next time I say, 'Let's go someplace like Bolivia,' let's go someplace like Bolivia.
Small price to pay for beauty.
It feels kind of good to be [on Sundance]. There is a sense of unification and community and voices rising together, and that all feels good.
What's great about the Sundance Film Festival is the festival takes over that town as it's intended to do. But, it's very focused on a lot of other filmmakers and distributors so it almost feels like, while they're a lot of so-called civilians there, it's an opportunity that you have to see, to show your stuff to the other folks, your peers really, and to get that reaction.
Never give up. I do believe it is harder for female directors. I have been lucky to receive support from the Sundance Institute for my first film. I'm eternally grateful for their support. I think you need to be surrounded artistically and follow your intuition - always follow your intuition.
There's a lot of hyperventilation that takes off before the [Sundance Film] Festival, a lot of buzz. Every year we hear, this is going to be the new this, this is going to be the new that, and it never is. The buzz just doesn't mean anything. I'm glad it doesn't. Because I think the festival shows that what succeeds is content.
Sundance is a really special place. They're very protective of movies, especially lower-budget movies.
I'll just say it: I love Sundance; my very first film won Sundance.
I always wanted to go to Sundance.
Sundance felt like a natural fit. I love coming here, and I do think that this festival suits my films rather than most of the festivals I've been to. I'm not going to Cannes, you know.
I'm not really a Sundance baby, but they helped me so much I feel I have to acknowledge it.
I just really feel so grateful to Sundance because I've always been an artist and I've never been able to make a living at being an artist until Sundance.
Doing anything on a movie at Sundance is great.
I think what Robert Redford established is amazing; thank god for Robert Redford. He's set an amazing example with Sundance and I hope to follow that in my own way.
I met Evan Rachel Wood, James Woods, Kevin Bacon at Sundance. Steve Buscemi is pretty laid-back. I met Judy Greer in Vegas, and she was cool.
Fair or not, it always sucks when everyone wanders back from Sundance talking about how bad the movies were.
I really unfortunately don't have tons of hilarious Sundance stories, because really I am not the biggest fan of hanging out, but the reason why is because I never go see other people's movies and I think that's the way to do it.
I'm about to go to Sundance for my 3rd year, and Sundance has never felt like a real independent festival at all. On the other hand, it might to start feel that way.
I've been able to carve out spaces for myself. At Sundance, I'm in the mountains - my property is private. I get on a horse and ride for three, four hours. Sometimes five. I get lost. But when I'm in, I'm in.
As an actor and as a person you come together with being in familiar territory although that has not been my whole life. That's been a part of it. I think a lot of people associate me with the west because of Sundance.
It never ceases to surprise me, the people I get to work with. I'm in a French film with Sandrine Bonnaire? I adore Sandrine Bonnaire. I'm doing a picture for Robert Redford? The Sundance Kid? I have to pinch myself sometimes.
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