Survivor Series is something that was very surreal to me to be a part of, but now, I just want to do it again.
All this stuff is kind of surreal to me - Ididn't think I'd be in the league or none of that. It was making it to college. That's about it.
Criticism is a surreal state, like a good drug gone bad. When it's bad you wish it would stop, and when it's good, you can't get enough.
The first time I went to the Oscars was surreal. It wasn't really me walking the red carpet. It was like watching a movie of a Hollywood premiere. You have to have an intellectual distance from it, because it's so atypical from your everyday life.
Surreal can be exciting and good, and it can be like living inside an alien landscape, and it can be completely interesting, or you can be alienated from your own life - inside your own life, it doesnt feel familiar any more.
It's such a surreal experience, being shot out of the cannon for any kind of first season show. It all seems very dreamlike.
I wanted to literalize the surreal here. Those are my favorite kinds of stories. I love when Gabriel García Márquez does that, for instance - it adds to the joy, dares you to believe the unbelievable. And why not: so much of life is so dreamlike, so strange, so absurd.
If you have a surreal life like I do, you've got to have fun along the way.
Children have an easier ability to tap into the surreal than adults do, in a funny kind of way.
Blackouts can be fun if approached with the right mindset. You just can't sweat the fact that you've lost a small portion of your life for all eternity. Occasionally, little bubbles of memory will float up like surreal Mylar party balloons at unexpected times throughout the net day and start piecing together a colorful, if incomplete, version of reality.
Look, I'm just this kid from Toronto who got his start in school plays. I still live with my folks who make me mow the grass and take the garbage out. Then one day, I'm on this multimillion dollar set surrounded by R2D2 and C3PO. Every nuance was surreal. The saber. A thrill. The outfit and cloak? Mind-boggling. Meeting R2D2. An out-of-body experience.
I know I have this level of celebrity, of fame, international, national, whatever you want to call it, but it's a pretty surreal thing to think sometimes that you're in the middle of another famous person's life and you think to yourself, 'How the hell did I get famous? What is this some weird club that we're in?'
Kafka's evocations are, rather, unconscious and almost sub-archetypal, the little-kid stuff from which myths derive; this is why we tend to call even his weirdest stories nightmarish rather than surreal.
So I think it was a good thing It was a little surreal watching Leo scream 'I'm not going to die today!' with our music playing - that was the last thing on my mind when I wrote the song.
Before I was cast on The Surreal Life my knowledge of Christopher Knight was pretty much he was on The Brady Bunch and I hated The Brady Bunch.
The truth is not being aired in the West. It’s a surreal perversion of history that’s going on once again, as in Bush pre-Iraq ‘WMD’ campaign.
My dad's sense of humor was direct and sometimes surreal - his quick wit is well known amongst our family and friends. He raised me on Spike Jones records and W.C. Fields movies, and his sense of humor fell somewhere in between.
At my first Golden Globes, I met people I was very much enamored by: Julianne Moore, Meryl Streep, Brad Pitt and Angelina Jolie. It was surreal to see them in person.
I try to make everyone's day a little more surreal.
When you have a kid, it changes your life. It reminds you, this is my life now: I'm responsible for this tiny person. It's so surreal.
Before my first child was born, I had nothing going on professionally really, and it's been a very blessed period of creativity for me since he arrived. It's very surreal. It's almost as if the babies are out there pulling strings somewhere, deciding what kind of life they want to be born into.
To read 'Happy Talk' is to crash a party as vivid and surreal as Felini's 8. It's the business of show business, the American dream, told by a chorus of Americans locked just outside of that dream, outside of the United States, relegated to expatriate status on the shores of Haiti. Melo paints a version of Haiti that's an interior landscape perhaps even more than an externalized place. This Haiti is a plan, a memory, a morphine-drip fueled dream out to bond its inhabitants forever.
I share this interest in the weird, strange, unusual, surreal.
When I was a kid, I used to watch 'Laurel and Hardy' with my cousins all the time. I still think they're extremely funny and so surreal.
I think if something resonates, even if it's surreal, it's because it is relatable and I think that that's a core issue for me.
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