I've always read suspense, so raising the stakes to life and death situations in my romance plots seemed natural.
...But I don't think I'm the only person who is tired of books and movies full of paper-doll characters you don't care about, who have no self-respect and no respect for anybody or any institution....And I don't want to sound preachy or Victorian, but I'm tired of amorality in fiction and in real life. Immorality is a fascinating human dilemma that creates suspense for the readers and tension for the characters, but where is the tension in an amoral situation? When people have no personal code, nothing is threatening and nothing is meaningful.
As far as how important the real-life resonance of the stories is, I think it must play at least a small role in the show's success, because it gives the show this sense of suspense from the fact that it seems at least plausible.
Nothing can be more unphilosophical than to be positive or dogmatical on any subject; and even if excessive scepticism could be maintained it would not be more destructive to all just reasoning and inquiry. When men are the most sure and arrogant, they are commonly the most mistaken, and have there given reins to passion, without that proper deliberation and suspense which can alone secure them from the grossest absurdities.
This sucks on so many levels." Dialogue from "Jason X" Rare for a movie to so frankly describe itself. "Jason X" sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought.
I never think about genre when I work. I've written fantasy, science fiction, supernatural fiction, and am now working on a suspense novel. Genres are mostly useful as a marketing tool, and to help booksellers known where to shelve a book.
I think readers appreciate those of us who stay in the trenches and fight the good fight even when times get tough. I know that I, personally, lost respect for writers who, when there was a downturn in the market, started shouting from the rooftops that they wrote thrillers and suspense novels rather than horror. As far as I'm concerned, those wussboys should sever all ties with the horror community if that's the way they feel and get out of the way so real horror writers can do their work.
Every man has a choice between love of truth and love of repose. Love of repose brings him a solid reputation and peaceful life; love of truth keeps him in suspense. A man who loves truth respects the highest law of his being.
In a novella, a whole lot of crap can happen, and you can build momentum and suspense and leave room for a surprise or three. Stories are cut down to the most essential elements, and novels (this might be an unfair generalization on my part) are big fat clumsy efforts where the reader can snooze for a couple chapters and miss nothing of consequence. Hence my love for the middle way.
Music has always helped my films. In 'The Curse Of The Jade Scorpion,' you can hear 'Sunrise' by Glenn Miller, an idol of my childhood, in the surprise ending. I like mixing comedy with suspense and action.
I'm a huge fan of ghost stories, that sort of slow build, the suspense and the questioning about whether you're imagining something or if it's real.
Love has been the ontological pattern for me. And also the withholding pattern. I am still on hold with regards to love. And the longer one is on hold, in suspense, on a search, the harder, paradoxically, it is to continue with a search.
When you write a scene where somebody is afraid of something you instantly go to decades of genre cinema: horror, suspense, and thrillers. Those are very cinematic genres, when you shoot a close-up of someone and you can see fear in the person's face, or anticipation, or some kind of anxiety, it's a very cinematic image.
I can't wait for everyone to read 'Don't Look Back.' It's something very different for me, my first romantic suspense novel, so I'm very excited to be sharing the book, finally.
Great problems are now being handled, keeping every thinking man in suspense; the unity or multiplicity of human races; the creation of man 1,000 years or 1,000 centuries ago; the fixity of species, or the slow and progressive transformation of one species into another; the eternity of matter; the idea of a God unnecessary: such are some of the questions that humanity discusses nowadays.
I'm a visual filmmaker so the camera is a big part of my storytelling tool and it's something that I really rely on to tell a scene or create the suspense that I need and create the emotion of a scene or a sequence.
What fiction could match - in drama or suspense - man's first walk on the Moon?
I read what I like to write: romantic suspense. I also love thrillers and novels of suspense, but I can't handle extreme violence and torture.
An unforgettable tale of love, lust, faith, betrayal, and redemption. A powerful, mesmerizing suspense novel-a tour de force!
I think the most important part of storytelling is tension. It's the constant tension of suspense that in a sense mirrors life, because nobody knows what's going to happen three hours from now.
There is a hush over all Europe, nay, over all the world. Alas! it is the hush of suspense, and in many lands it is the hush of fear. Listen! No, listen carefully, I think I hear somethingyes, there it was quite clear. Dont you hear it? It is the tramp of armies crunching the gravel of the paradegrounds, splashing through rain-soaked fields, the tramp of two million German soldiers and more than a million Italiansgoing on maneuversyes, only on maneuvers!
The trouble with a series as it gets older is it can feel like a tradition, and tradition is the enemy of suspense, and it's the enemy of comedy. It's the enemy of everything, really. So you have to shake it up.
Christ designed that the day of his coming should be hid from us, that being in suspense, we might be as it were upon the watch.
I still read romance, and I read suspense. I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.
I'm unique for a suspense author in that I don't have a specialty background. A lot of suspense writers used to be lawyers or crime beat reporters. I didn't even know a cop when I started out. I finally figured out that I could visit prisons - I just had to be willing to make the phone calls.
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