It just wasn't the fairy tale I had hoped for.
Jennifer Fulwiler's story of finding God when you aren't looking for Him is a universal tale which will touch many hearts. With warmth and unflinching candor she leads us through a personal journey of faith and maturity that is as funny as it is affecting.
William Shakespeare was the most remarkable storyteller that the world has ever known. Homer told of adventure and men at war, Sophocles and Tolstoy told of tragedies and of people in trouble. Terence and Mark Twain told cosmic stories, Dickens told melodramatic ones, Plutarch told histories and Hans Christian Andersen told fairy tales. But Shakespeare told every kind of story – comedy, tragedy, history, melodrama, adventure, love stories and fairy tales – and each of them so well that they have become immortal. In all the world of storytelling he has become the greatest name.
As the mother of six, Karen Santorum knows the power of stories to shape and mold the nature of our children. In Everyday Graces, Karen has complied a treasure chest of tales that helps us raise the next generation of children into adults of kind compassion. Everyday Graces is a must for families that desire their children to become people of character.
We must live in the radiance of tomorrow, as our ancestors have suggested in their tales. For what is yet to come tomorrow has possibilities, and we must think of it, the simplest glimpse of that possibility of goodness. That will be our strength. That has always been our strength.
That's the old ecological tale that explains humans' inability to fully appreciate global warming. To wit: if you drop a frog in a pan of hot water, it jumps out. If you drop it in a pan of cold water, then turn the heat up slowly, you can roast it to death.
My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.
A heartwarming tale of Christmas past that's chock full of all the wit and hilarity we admire in America's favorite humorist--Mark Twain. Carlo DeVito brings us back one hundred years to a magical time in Twain's family life, revealing a house that's brimming with love and laughter, as well as the profound heartbreaks of life. A Mark Twain Christmas only deepens our understanding and respect for both the man and his work.
A massive and brilliant accomplishment--the first English translation of the original Grimm brothers' fairy tales. The plain telling is that much more forceful for its simplicity and directness, particularly in scenes of naked self-concern and brutality. Hate, spite, love, magic, all self-evident, heartbreaking, delightful. I will return to this book over and over, no doubt about it.
To young men contemplating a voyage I would say go. The tales of rough usage are for the most part exaggerations, as also are the tales of sea danger. To face the elements is, to be sure, no light matter when the sea is in its grandest mood. You must then know the sea, and know that you know it, and not forget that it was made to be sailed over.
And you must tell the child the legends I told you - as my mother told them to me and her mother to her. You must tell the fairy tales of the old country. You must tell of those not of the earth who live forever in the hearts of the people.
The delight we experience when we allow ourselves to respond to a fairy tale, the enchantment we feel, comes not from the psychological meaning of the tale (although this contributes to it) but from its literary qualities-the tale itself as a work of art.
Adam Roberts is the affable and infectiously curious friend we all wish we had with us in the kitchen—the one who prods us with questions, entertains us with amusing tales, and makes us feel better when our cake flops.
They were written on cheap blue notebooks bought by poor women. I'm interested in folk tales in the way that medicine and magic in women's stories are all kind of combined.
At the centre of every fairy tale lay a truth that gave the story its power
That's the thing about a folk tale: It is always addressing incredibly key issues about how you should live and what the right thing to do is, which is really what I'm the most interested in - like the questions that religion takes on. And I think that, for those of us that aren't religious, we need, or I need, art that stimulates the same kind of thinking about what it is to be a mensch, or a good man, things like that.
I think every beautiful tale in the world hides the truth and reveals it little by little.
Once the 'portals of the future close - in Amazonia, Siberia or the Arctic - we will find ourselves powerless to affect the outcome of this dreadful tale.
And the people listened, and their faces were quiet with listening. The story tellers, gathering attention into their tales, spoke in great rhythms, spoke in great words because the tales were great, and the listeners became great through them.
Richard Barager has written THE novel of the Sixties - a passion-filled, pitch-perfect, roller coaster of a tale about the decade that divides us all.
For Hell and the foul fiend that rules God's everlasting fiery jails (Devised by rogues, dreaded by fools), With his grim, grisly dog that keeps the door, Are senseless stories, idle tales, Dreams, whimseys, and no more.
Kindred’s tale is a romantic, mature, and lyrical collage of heaven, hell, and a magical royal legend. The combination is divinely—and demonically—inspired.
Imagine (if you dare) a whimsical marriage of Lord Dunsany and S.J. Perelman, and you have something approaching the tales of Rhys Hughes, filled with gaudy colour, slapstick, puns, fantastic creatures, and the occasional unexpected chill. Hughes' world is a magical one - and his language if the most magical thing of all.
I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.
The story had held us, round the fire, sufficiently breathless, but except the obvious remark that it was gruesome, as, on Christmas Eve in an old house, a strange tale should essentially be . . .
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