A truly nonviolent man would never live to tell the tale of atrocities. He would have laid down his life on the spot in non-violent resistance.
One of the basic motifs in fairy tales is that you find the poor and unfortunate along the side of the road, and when they beg for help, if you give it to them, you end up succeeding. If you don't give it to them, you end up being turned into a frog or something. It's something that's been around for thousands of years, a concept that's been around for thousands of years.
On the professional side, I've helped move cinema from a chemical-based medium to a digital-based medium. That'll be one of the landmarks. And I've left these stories, these little tales that have been imprinted on the media, which will or will not be of interest to people in the future. I've done the best I can.
Every success story is a tale of constant adaption, revision and change.
My writing has to excite people and depict or include their experiences. That's part of my process - to go out and interact with people. It's very much like an archival process. I understand that the Brothers Grimm would go out and get people talking so they could document folk tales that weren't being documented any other way. I try to offer a little bit of myself - some experience from my life that evokes stories in other people.
I grew up falling in love with kind of story, amazing, wonder tale of the East, which if you're a child growing up in India is all around you.And I think one of the gifts it gave me as a writer was this early knowledge that stories are not true.
I have always thought that these two ways of talking, one is the fantastic, the fable, the fairy tale, and the other being history, the scholarly study of what happened, I think they're both amazing ways to understand human nature.
The first movie I can remember seeing was The Creature From The Black Lagoon. And, I can remember hearing a radio play of Ray Bradbury's Mars Is Heaven. And when I cut my teeth on comic books, they were not the easy ones of today like Spiderman, Superman and The Hulk. they were Tales Of The Crypt, The Vaultkeeper, and that sort of thing.
My feeling of the whole genre, of the terror tale, is this: The best thing that you can do for the readers in this field is to terrify them. It is something that is intellectual, it happens in your mind.
I do not know if I really am a big star. And in fact that is not the most important thing for me. What counts in life is to bring about more of your own dreams. In such a way that your life becomes like a fairy tale. This is what has happened to me, it is just like that.
I wanted the chance to look again at very famous stories and see what made them work well, whether there were any ways in which they could be improved. Because the great thing about fairy tales and folk tales is that there is no authentic text.
Disney is a huge presence when it comes to fairy tales because he’s made of them such brilliant artifacts in terms of movie-making. But it’s very hard to ignore what he’s done to them. I'm not interested in denigrating Disney or even commenting on him very much. I'm more interested in seeing what I can do with the stories myself.
I wanted to avoid what some modern tellers have done, quite legitimately, to make fairy tales more like novels and short stories, to characterize the heroes and the heroines much more than they are characterized in Grimm. I like the psychological flatness of them, the fact that they're more like masks than individuals.
Because the great thing about fairy tales and folk tales is that there is no authentic text. It's not like the text of Paradise Lost or James Joyce's Ulysses, and you have to adhere to that exact text.
That's what we do, man, we're like storytellers. We tell you stories from the streets. Whether we did it before when we was young or we heard it from one of the homies telling us a tale of what he been through. It's all in having fun and creating a movie like vibe to tell a tale from the streets.
I slept in Uday Hussein's bed - that was just so strange. Went to Saddam's palace, was in a mortar attack - crazy stuff. And like three days later you're back in traffic on Sunset Boulevard. It's all kind of behind you, which is kind of perfect for a guy like me because I can take that and turn it into quite the tale.
You actually do confront your dark side, your impulses, or your feelings of sibling rivalry in Cinderella or whatever. You admit that they exist and then you work through them and conquer them and come out living happily ever after having learned something. That's one reason why the fairy tales keep having traction and meaning.
Sisters don't need words. They have perfected a language of snarls and smiles and frowns and winks - expressions of shocked surprise and incredulity and disbelief. Sniffs and snorts and gasps and sighs - that can undermine any tale you're telling.
Suspicions that the mind, of itself, gathers, are but buzzes; but suspicions that are artificially nourished and put into men's heads by the tales and whisperings of others, have stings.
But how has it happened that millions of fables, tales, legends have been blended with both Jewish and Christian revelation that have made them the most bloody religion that ever existed?
Compassion is an emotion of which we ought never to be ashamed. Graceful, particularly in youth, is the tear of sympathy, and the heart that melts at the tale of woe. We should not permit ease and indulgence to contract our affections, and wrap us up in a selfish enjoyment; but we should accustom ourselves to think of the distresses of human, life, of the solitary cottage; the dying parent, and the weeping orphan. Nor ought we ever to sport with pain and distress in any of our amusements, or treat even the meanest insect with wanton cruelty.
Examples draw where precept fails, and sermons are less read than tales.
A younger sister is someone to use as a guinea-pig in trying sledges and experimental go-carts. Someone to send on messages to Mum. But someone who needs you - who comes to you with bumped heads, grazed knees, tales of persecution. Someone who trusts you to defend her. Someone who thinks you know the answers to almost everything.
Edward Said talks about Orientalism in very negative terms because it reflects the prejudices of the west towards the exotic east. But I was also having fun thinking of Orientalism as a genre like Cowboys and Indians is a genre – they’re not an accurate representation of the American west, they’re like a fairy tale genre.
Lest men suspect your tale untrue, Keep probability in view.
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