I'm basically a movie actor now, and my big roles are mostly horror movies - unless I'm doing a guest star or something - and occasionally I try to get back into television.
It's every actor's dream to work in a hit show on Broadway and also shoot a television show.
After studying in Sheffield, I went down to London to do my post-graduate degree at the National Film and Television School, embarking on the movie that would eventually become 'A Grand Day Out.
I'm bringing what I've always wanted: film quality work on television. That's the way it should be.
I love it when television is shot in a cinematic way and I think to aspire to that is no bad thing.
At thirteen I began modeling, doing my first television commercial in ninth grade for Pizza Hut.
Since it was too difficult to get into the Screen Actor's Guild in New York, I moved to Miami in 1982 and started a successful career as a television commercial actress, obtaining my SAG card there.
There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.
I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.
Supermodels are over, and the new picture girl has become the television actress.
I never thought television would or could be a long-term commitment.
I don't ever want to have a weak episode of television with my name on it.
I like to try the scene over and over, but given the confines of television, I don't have that option.
What you need to know about me is that I always just wanted to be a country singer. I didn't choose the path of television or being on magazine covers.
I've done a lot of theater work that has been quite diverse. I feel very fortunate to have had many different people think of me in many different ways. So, as an actor that's all you - all I want is diversity. So far in film and television work I have done has not been as diverse, and I hope it grows to be.
I'm one of the highest-paid television people in the world. I feel like I've made a difference in my viewers' lives, that I've been influential.
On the television planet, where men make up the tribe, the law of the caveman rules. So, for a woman coming from another world, without experience or cunning, to succeed gradually in gaining control over what is to be taped, what goes out over the air, what is said without censorship, is an epic feat.
It's sort of the mixed blessing of being on television for so long in one thing; sometimes that backfires, in that you're not able to continue on.
The fact is that surveys which media people openly admit to show that fewer than twelve percent of their customers believe they're doing a good job, while the average profit margin in television is in the neighborhood of eighty percent.
Television really has been my vehicle. I don't get played on the radio much, so I've relied on TV a lot.
There's something about the impact of a big screen that means something to me, even though I realize almost every film is fated to be seen for a year in theaters, and then forever after on television.
I had two different degrees: One in International Relations/Political Science and another degree in Radio and Television Production.
There are so many brilliant women on television right now.
I think music on television is just uniformly dreadful. It is mundane, it says nothing.
I was interviewed for a Grammy television show, and they asked me about Nashville, and I talked for three minutes and when I finished, I was teared up. The whole room was crying. Nashville has given me a home, where I never had a home before.
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