I love IMDb. I love that people all over the country get that into it. When I was a kid, you literally had to go to the theater and stare at the poster to see who the hell was involved.
When I was growing up in the theater there were all these amazing girls telling me about the guy who broke their heart. And I was always wishing that it was me.
I had never done any theater in high school, which actually worked to my benefit. I didn't develop any bad habits.
I think theater has given me the opportunity to show what a character actor I can be.
I'm very resistant to most forms of theater.
The mainstream is generally garbage. Look at the heavily subsidized theaters.
In the theater, it's about taking time in a musical segment, a pause in a musical way and then moving on.
I wanted to be an actor because I wanted to be onstage. I wanted to do musical theater, and from that I realized I was interested in plays. I never imagined myself on television. I was so lucky to be onstage my whole life.
Men go to the theatre to forget; women, to remember.
Violent resistance and nonviolent resistance share one very important thing in common: They are both a form of theater seeking an audience to their cause.
I've been working straight since 2003, so I might just want to take an improv or theater class. That excites me. I can't wait to do different characters - not necessarily the leading chick who gets the guy, but the weird, freaky cousin.
The drama is make-believe. It does not deal with truth but with effect.
The inclination to digress is human. But the dramatist must avoid it even more strenuously than the saint must avoid sin, for while sin may be venial, digression is mortal.
A dramatist is one who from his earliest years has found that sheer gazing at the shocks and counter-shocks among people is quite sufficiently engrossing without having to encase it in comment.
Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting.
I meet kids now who become novelists, poets, write for the theater and movies, who were simply inspired by what they saw during the Spoleto Festival.
When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.
Getting work in theater has always been sort of cyclical.
The public voice in the theater today is crude and raucous, and, all too often, weak-minded.
I've always loved fairy tales. I think they perhaps led me to theater rather than the other way around. As a child I wanted to invent a machine that could record my dreams, so I could watch them in the morning; or hire someone to draw the things I had in my head, because I knew I didn't have the skill to do it myself. Theater is that machine. I can make these images come to life and actually walk around inside them for a while.
If you love acting and you've ever experienced theater, then you know that in a movie it's almost impossible to live out that experience, unless you're a Pacino or a De Niro or somebody who gets to pick their parts.
I just like the continue doing what I've been doing. A melange of funny, straight drama, television, movies, a little theater here and there wouldn't hurt. So if I can keep doing that, I'll be a very happy person.
All the difference in the world between the movies and the thrill I get out of a play at the theater. Ay, yes! Like fooling around with paper dolls when you could be playing with a real live baby.
I have done a lot of theater.
Music, art, theater. I'm just a big fan of beauty.
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