Theatre is a weapon. For that reason it must be fought for.
I remember going to the theatre when I was little and the lights going down and just getting really scared about what was going to happen up there.
With theatre, you have to be ready for anything.
I used to do puppet theatre and also mime and musical theatre in Florida for competitions and festivals, which was great. I was very much involved in theatre when I was in college.
I had an unorthodox high-school experience; I shifted around to different schools. When I got to college and met Larry Sacharow, who ran the theatre department [at Fordham University in NYC], he was the first person to say ‘I believe in you.’ At that point, I just needed someone to say ‘I see you, I get you, let’s go.’ It’s an amazing thing to borrow someone else’s confidence in you; it can change your life.
I began modeling in N.Y. and doing commercials. That led to regional theatre and then Broadway and then movies.
I think in the old days, everybody used to act really quickly because Hollywood was built by theatre people.
In the theatre, if you say 'Macbeth', all the actors will start looking very anxious. I'm so well-trained not to say it in the theatre that I can hardly say it in normal life.
Theatre outings are my favourite thing to spend money on. The most influential play I saw was Bent, which starred Ian McKellen. And I loved the original performance of The Rocky Horror Show, with Richard OBrien and Tim Curry at the Royal Court, when I was about 15.
Telly and films has been my thing, not necessarily by choice, and if the right piece of theatre came along, I would jump at it.
My father was a classical singer of baroque music, and my older sister was in musical theatre, and I thought about doing the same thing but then realised straight acting was for me.
A fan once stopped me outside a theatre and gave me as a gift a signed photograph of Sir Laurence Olivier. It was strange, but nice, too.
Certainly, nothing would stop me coming home for Christmas, if I can. But I've worked a lot in theatre, and in theatre in New York, we work Christmas Day a lot of the time as well.
I'd like to think that we strive in film and theatre to tell great stories, and I believe in the power of storytelling in our culture.
The TV show I do ['Dr Quinn'] is the day job that enables me to work with this theater [Pacific Resident Theatre Ensemble]. That's all I live for. That's what I care about. There's no dough in it. Nothing to do but lose money. But it's all from the heart, and that's why it's so much fun.
I don't even think places like the National Youth Theatre (NYT) are necessarily about wanting to be an actor when you grow up. They're about meeting people from different backgrounds and different religions and different cultures, and mixing with people that you wouldn't ordinarily meet.
I come from the theatre, my bones are in the theatre; it’s as natural as breathing to want to be in the theatre
I had this health teacher who kept me after class one time, saying, ‘You’re missing a lot of class.’ I was like, ‘Yeah, but I’m doing this play.’ He said, ‘Community theatre is not going to take you anywhere. Maybe you should stay in school’
Whether it was working on theatre sets or stage lighting, I didn't realize most all of the skills I was exposed to were going to come in handy later on when I became a designer.
I'd love to do just straight theatre. I'd love to do film and television, too.
We talk about theatre museums filled with old costumes and things. What we also need is a theatre museum of the old routines on videotape. We are only the custodians of those techniques, and they should be preserved.
Judi Dench and Ian McKellen taught me how to work hard and respect the theatre.
I knew nothing about film at all. I suppose the biggest surprise is all these things. In the theatre we sort of do, I might do two or three key interviews and that would be it.
Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.
I think it's one of my favourite theatres ever, so quirky and wonderful and steeped in history. The space is wonderful and the acoustics are brilliant.
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