A major theme in all my books is that the CIA is not only the first line of defense but they should also be the first line of offense.
I would like to sing the theme tune of a big film - something like 'Titanic'.
I remember in The Conversation, they brought all these coats to me, and they said: Do you want him to look like a detective, Humphrey Bogart? Do you want him to look like a blah blah blah. I didn't know, and said the theme is 'privacy' and chose the plastic coat you could see through. So knowing the theme helps you make a decision when you're not sure which way to go.
The new French theme park based on Napoleon is named Napoleon's Bivouac, and will honor Napoleon with rides, battle reenactments, and the brutal March on Moscow ride. That's a walk-in freezer you stand in for 18 months while you try to eat a dead horse.
Just as a moral distinction is drawn between "those at risk" and "those posing a risk", health education routinely draws a distinction between the harm caused by external causes out of the individual's control and that caused by oneself. Lifestyle risk discourse overturns the notion that health hazards in postindustrial society are out of the individual's control. On the contrary, the dominant theme of lifestyle risk discourse is the responsibility of the individual to avoid health risks for the sake of his or her own health as well as the greater good of society.
There is one universal truth: All women, all over the world, want to look beautiful. That is always the theme of my designs.
Some novels present a story form many points of view. Most movies tell only one person's side of the story. Sometime it's easy to use the strongest point of view, or find the character with the most dramatic experience. It depends on which themes the scriptwriter wants to explore.
French architecture always manages to combine the most magnificent underlying themes of architecture; like Roman design, it looks to the community.
Religion theme aside, most of the time I'm in some sort of comedy and I'm a straight man and it's really just, let's wind this guy up and see him explode.
When you look at what I've done here, you see a consistent theme of reforms which is not driven by any dogma from across the water, but a radical agenda to make sure Northern Ireland's people enjoy equal opportunities, driven by the values of social justice.
The difference of the degrees in which the individuals of a great community enjoy the good things of life has been a theme of declaration and discontent in all ages.
I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
Recent studies have considered the detection of a spaceship visiting our parish of the galaxy. In my opinion that last thought should bring a blush to every human cheek... Fecklessness might be the main theme of the aliens' report on the new-found source of radio pollution ... that emanates from beings who have mastered a lot of physics, chemistry and biology and yet let their children starve-while all around their planet the energy of their mother star runs to waste in a desert of space.
Systematic theology will ask questions like "What are the attributes of God? What is sin? What does the cross achieve?" Biblical theology tends to ask questions such as "What is the theology of the prophecy of Isaiah? What do we learn from John's Gospel? How does the theme of the temple work itself out across the entire Bible?" Both approaches are legitimate; both are important. They are mutually complementary.
People have taken advantage of the very well-trodden pathways that divide science and faith on other issues, such as creation, evolution, and the age of the universe, to pigeonhole climate change as yet another variant on the same theme.
Translated books rarely get reviewed in the press. Books or poems or works of art that don't seem to have a corresponding style or figure or theme, obviously they're hard to digest.
One of the unspoken themes that I'm grappling with in Day of Honey is the relationship between violence and cosmopolitanism. It's one thing to comprehend violence as an outgrowth of ignorance, poverty, and backwardness. It's another matter entirely to confront incredible atrocities in a country with a rich civic and intellectual life.
As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.
I write first drafts feverishly fast, and then I spend years editing. It's not that sentence-by-sentence perfectionist technique some writers I admire use. I need to see the thing, in some form, and then work with it over and over and over until it makes sense to me - until its concerns approach me, until its themes come to my attention. At that editing stage, the story picks itself and it's just up to me to see it, to find it. If I've done a good job, what it all means will force me to confront it in further edits.
The Illusionist is the storyteller in so many ways. Symbols become his obsession. It's not simply about creating plot - one must also grapple with theme. Nowadays we have a lot of characters and a lot of action but it's hard to sit still and really meditate on meaning, worldviews, concepts, ideologies even. I make my Illusionist do what I've had to do, often with copious amounts of stumbling and frustration. His real humanity comes from being an artist, I think - his creativity is what makes him a man.
California seemed to me to be all about secrets and the need for safety. And this leads to this thematic messiness I'm still trying to figure out what to do with. I mean, when it comes to the themes, this is nothing like an Atwood novel.
With my students, I don't offer any simple tips like that, maybe because my own process is pretty messy, but when we workshop we talk a lot about the deeper subject, which is what the story or novel is about. I think defining a narrative's themes can lay bare a narrative's tensions.
I thought of the structure as musical. The first piece, for instance, contains the names/subject matter of every person to come in the book. Like a piece of music with themes, etc.
I guess I try to find the humor by juxtaposing deeper themes in literature with what people perceive as being lighter, disposable children's fare in comics.
I start every first draft with voice rather than theme or image or even character as such, so it isn't like I'm ever rubbing my hands, cackling, "The dad is really going to take it on the chin in this one!" Not in terms of any given story, and certainly not in terms of the collection as a whole.
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