It's a Samurai story [47 ronin], so if we change too much Japanese audiences will have strong against feelings to the film. It's not good.
Part of the blame can be put at the artists' door, too - no question. But I see our involvement more as a consequence. When there is too much money at stake, the whole system gets corrupted. Artists can be very vulnerable to these mechanisms.
I did community theater and kids programs at professional theaters and plays at school and voice lessons for seven years. I stopped because it was so time-consuming. But then I realized that I had access to this world where I could go on auditions. And there wasn't too much of an identity crisis when I started acting professionally because I had been acting longer than I had been writing. It didn't feel new.
I don't drive often, because the parking makes it too much of a nuisance. And I could never go back to commuting or anything. I'd just get fed up with it.
You hear people say that there's too much CG in movies today, but CG is what allows me to take a green-painted wall in a studio and make it disappear, and then put 100 miles of landscape in. CG, in the right hands, can be a marvelous tool.
The truth is that this universe is gassy and unpredictable. It still has not said excuse me for The Big Bang. Sometimes we expect too much instead of practicing enough or receiving in us just the right answer. You, the Staggering Answer
I hope, my career is never predictable. And my interests are diverse in that way. I feel very lucky that when I'm burnt out of acting I take to the pen and I write something I want to direct. And then when I'm tired of taking on too much responsibility as a director I then look for an acting gig. And I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.
Woody Allen - nobody has been a better joke teller than him - and even in his great films, it's always coming out of the character. If you don't have that, jokes are just empty and I think that people rely too much on jokes.
Everybody keeps falling back to the same patterns without doing too much dramaturgy.
If I step out too much while in the process and don't allow myself to get into it, the piece may not get made.
I feel like my perception has changed a little because when I was posting stuff online it was an extension of my studio and then it started getting some of the attention. Now it's like, "Oh, this is actually a place where you can make money," but I'm not interested in competing in that space. It seems like too much to deal with.
I'm not big on awareness about what's going on online but usually if you do too much online stuff then you usually bump into something that hurts.
I like sharing stuff with people. I feel like it's kind of at their own discretion, you can see too much if you want to see too much.
I feel like women still deal with dressing appropriately for the office. It's by choice - you don't want to sexualize yourself too much. You want to be respected. You want to be taken seriously, and there's certain things in our culture, if you do, if you wear, you won't be taken seriously.
You can fall into a trap, worrying too much about what the audience might think, rather than going from the inside out.
Televisison is like a factory line. You need discipline and focus. You have to hit your mark and know your lines. It's not that I don't know my lines when I do a film, but the pace of discovery is always a little bit more relaxed and nurturing and almost babying, in a way. Television toughens you up, and I like that, but I don't want it to toughen me up too much.
What helped me get the part was that I turned it down. When I read the script, Venus was just a black guy who came in wearing a big coat and a hat and making jive talk. I'd been up for so many of those! I'd had enough of caricatures, what white writers conceive blacks to be. I told the producer I wasn't interested in doing anything like that for three or four years. He said that it was just a pilot, that Venus would be given a human dimension and would be quiet off-the-air. I wanted that input. I thought that side was as important as the comic side. For 'WKRP,' too much of either would be bad.
We may well have a competitive advantage buying decent businesses at decent prices. But they won't be fabulous businesses and fabulous prices. There's too much competition and money out there, with many buyout specialists.
The possibility that stock value in aggregate can become irrationally high is contrary to the hard-form "efficient market" theory that many of you once learned as gospel from your mistaken professors of yore. Your mistaken professors were too much influenced by "rational man" models of human behavior from economics and too little by "foolish man" models from psychology and real-world experience.
I know just enough about thermodynamics to understand that if it takes too much fossil-fuel energy to create ethanol, that's a very stupid way to solve an energy problem.
It's maybe every third person now (who calls out 'Norm!' when they see me). It used to be every other person. It's faded a bit, but not too much. They're always going to remember me that way. I decided a long time ago that if I'm going to let this make me crazy, I'm going to be certifiable, so I just roll with it.
Maybe it's because I have too much pride or self-respect, but I thought, `Why does a guy who has thinning hair and who is overweight have to be a loser or a joke?'
Too much screaming in Congress. Too much screaming everywhere.
I did loads of auditions and I didn't get called back. I still get giddy at all the people I get to work with, and I'm still enjoying the work and enjoying life too much that I don't feel like I've done that much.
The fear of death has been raised too much and set up on high, especially by preachers, like the brazen serpent in the wilderness over the heads of the Israelites; but not with so good excuse as that symbol had, for this fear has not been curative, I think, nor made into pleasant or graceful shape, but rather a horrid spectacle, to affright people. For that men can be frightened into piety has been one of the legacies of religion which barbarous ages have bequeathed us plentifully.
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