There is no true expertise in the humanities without knowing all of the humanities. Art is a vast, ancient interconnected web-work, a fabricated tradition. Over-concentration on any one point is a distortion.
In every revolution there intrude, at the side of its true agents, men of a different stamp; some of them survivors of and devotees to past revolutions, without insight into the present movement, but preserving popular influence by their known honesty and courage, or by the sheer force of tradition; others mere brawlers, who, by dint of repeating year after year the same set of stereotyped declamations against the government of the day, have sneaked into the reputation of revolutionists of the first water They are an unavoidable evil: with time they are shaken off.
I don't think I have any right to say I belong to that [Woody Guthrie/Bob Dylan tradition]. I think that's something that eventually maybe you get inducted into. I'm just experimenting.
Songwriters I've always been drawn to are people who deal with something of depth in the lyric writing. ...I've always been influenced by the folk song, the storytelling tradition in folk music. And so for years I wrote mostly story songs. I still do that, but as I've gone on, it's gotten a little more personal. I used to write mostly in the third person. I write a little more in the first person now.
It is also an absolute mistake to believe that the State can be anything other than a civitas diaboli if it does not resurrect itself as Imperium, and it is also a mistake to want to build the Imperium on the basis of economic, military, industrial or even 'intellectual' or nationalist factors. The Imperium, according to the primordial conception rooted in Tradition, is something transcendent, and it can only be attained by those who have the power to transcend the lives of petty men and their appetites, their sentimentalisms, their national prides, their 'values', and their phobias.
These days too many of us seem inclined to cover our ears, close our eyes, and blindly follow the most narrow, conservative tenets of religion or else seek comfort in the ancient traditions of New Age ritual.
I do not come bearing a party label on my sleeve - or a quick fix in my back pocket. I do not come with a rigid ideology in my heart - or a soul that tells me to go it alone. I do not come to uproot tradition - or to be imprisoned by it.
What are you going to do to preserve a tradition that is the peculiar and unique culture that Judaism inculcates? The American Jewish community is not going to survive by lining up against its common enemy.
I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.
The people who are abroad are all those that have no religion, neither one based on speculation nor one received by tradition. Such are the extreme Turks that wander about in the north, the Kushites who live in the south, and those in our country who are like these. I consider these as irrational beings, and not as human beings; they are below mankind, but above monkeys, since they have the form and shape of man, and a mental faculty above that of the monkey.
Certainly going back to Sherlock Holmes we have a tradition of forensic science featured in detective stories.
People need to see that, far from being an obstacle, the world's diversity of languages, religions and traditions is a great treasure, affording us precious opportunities to recognize ourselves in others.
Poetry is a special use of language that opens onto the real. The business of the poet is truth telling, which is why in the Celtic tradition no one could be a teacher unless he or she was a poet.
The battleground has been moderates of all faith traditions in all the countries of the world against the radicals of all faith traditions in all parts of the world.
Tradition itself, in times of dogmatism and dogmatic revolution, is a revolutionary force which must be safeguarded.
I love the tradition of Dickens, where even the most minor walk-on characters are twitching and particular and alive.
An auctioneer is such a uniquely American thing. I keep thinking in my head, perhaps it's not as American as I think, but it feels so Southern. It feels so American. Like, hundreds of years of American tradition is involved in it.
Speaking from my own religious tradition in this Christmas season, 2,000 years ago a homeless woman gave birth to a homeless child in a manger because the inn was full.
Mine was not an Enlightened mind, I now was aware: it was a Gothic mind, medieval in its temper and structure. I did not love cold harmony and perfect regularity of organization; what I sought was variety, mystery, tradition, the venerable, the awful.
I guess the solo from 'Achilles Last Stand' is in the same tradition as the solo from 'Stairway to Heaven'...it is on that level to me.
It is interesting, that termites don't build things, and the great builders of our nation almost to a man have been Christians, because Christians have the desire to build something. He is motivated by love of man and God, so he builds. The people who have come into (our) institutions (today) are primarily termites. They are into destroying institutions that have been built by Christians, whether it is universities, governments, our own traditions, that we have.... The termites are in charge now, and that is not the way it ought to be, and the time has arrived for a godly fumigation.
The only form of revolution beneficial to the people is one which destroys the entire state to the roots and exterminates all the state traditions, institutions and classes…. Day and night [the revolutionary] must have but one thought, one aim – merciless destruction…for him morality is everything which contributes to the triumph of the revolution. Immoral and criminal is everything that stands in its way.
Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones
We are not a religious tradition with a creed, but a religious movement that has always wedded social justice work to theology
Americans as no one else in the Old World are looking ahead and are future-minded without the limitations of traditions and can look ahead without the burdens of the past.
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