I see myself as a traditionalist. I like traditional things. I like things of substance and value that have been proven. Conceptually, as the songs started to come together, I followed that lead, which is the language I work in.
I will say that the God concept is at the heart of 2001 but not any traditional, anthromorphic image of God. I don't believe in any of Earth's monotheistic religions, but I do believe that one can construct an intriguing scientific definition of God, once you accept the fact that there are approximately 100 billion stars in our galaxy alone, that each star is a life-giving sun and that there are approximately 100 billion galaxies in just the visible universe.
The immersive stories of This Is Paradise are a lithe blend of formal invention and traditional narrative pleasures. As such they reflect Kristiana Kahakauwila's intimate but expansive vision of a Hawai'i forged from the collisions of past and present, here and there. Her protagonists are as richly distinctive as the pidgin they speak, and yet each struggles profoundly with identity-that negotiation between ourselves and the world, which is at once Hawaiian, American, universally and compellingly human.
There are different types of talents and intelligences, and traditional schools sometimes ignore the creative ones. It is important for us to give kids every platform for them to find what they are good at and what they love. The arts also provide a space for newfound creativity.
A peasant can no more help believing in a traditional superstition than a horse can help trembling when be sees a camel.
When people see you have a song on MTV, they think you are doing well - but you know, the way the traditional label deal was set up, it is really hard for an artist, unless they sold a lot, to see anything.
To me India is a land of beauty and generosity, of traditional hospitality and the acceptance of many cultures.
I cannot write too much upon how necessary it is to be completely conservative that is particularly traditional in order to be free.
Traditional morality ... does not teach us how to let the other follow his or her own path, meet with whomever he or she desires, go where he or she wants.
The way God has been thought of for thousands of years is no longer convincing; if anything is dead, it can only be the traditional thought of God.
Truth is found neither in Marxism nor in traditional capitalism. Each represents a partial truth. Historically capitalism failed to see the truth in collective enterprise, and Marxism failed to see the truth in individual enterprise. Nineteenth century capitalism failed to see that life is social and Marxism failed and still fails to see that life is individual and personal. The Kingdom of God is neither the thesis of individual enterprise nor the antithesis of collective enterprise, but a synthesis which reconciles the truths of both.
I have a very old-fashioned and traditional mode of dress. I get embarrassed, and I don't really like going to photo shoots. I don't like stylists.
Everybody thinks an automobile needs an engine. Well, an automobile doesn't necessarily need an engine. What we do is shift electric motors into the wheels of our automobiles and so we have a completely different kind of thing where we have four independent intelligent wheels rather than a traditional internal combustion engine and power train and so on.
Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows; in a mass medium, the artist decays profitably.
Casually, unconsciously, but with deadly effectiveness, western man all round the globe destroyed the traditional gods and the ancient societies with his commerce and his science. ... Does it mean nothing to him if great areas of the world, where western influence has been predominant, emerge from this tutelage unable to return to the old life, yet unfitted for the new? It is hard to believe that the future could ever belong to men demonstrating irresponsibility on so vast a scale.
As one might expect in a society with mass communications and mass markets, the pseudo-ethic says that whatever is popular, is right. Where the traditional ethic derives its sanction from the superiority of a few, the pseudo-ethic derives its sanction from the inferiority of a great many. The pseudo-ethic is keyed, not to the spiritually gifted, but to the spiritually ungifted.
The society will be dominated by an elite of persons free from traditional values who will have no doubt in fulfilling their objectives by means of purged techniques with which they will influence the behavior of people and will control and watch the society in all details. It will become possible to exert a practically permanent watch on each citizen of the world.
It's heartening to return to live music, heartening for people like me in a band. It's a very traditional thing to return to. It re-validates the original form that we fell in love with.
I enjoy doing different kinds of things. I just enjoy being not tied too much. I feel that I'm tied to myself as a kind of traditional musician and a singer, and the history that I have ties me down.
Tourists who go to Africa have more of a traditional experience than Africans do. A tourist goes on safari; Africans don't.
It's really important to have life strategies and part of that is sort of knowing where you want to go so you can have a map that helps you to get there. And the traditional way tells us oh we get into school and someone else advises us, helps us, but that often does not work for African Americans female and male. Because what works for the dominant culture often does not work for us.
We tend to think that, in a traditional organisation, people are producing results because management wants results, but the essence of a high-quality organisation is people producing results because they want the results. It's puzzling we find that hard to understand, that if people are really enjoying, they'll innovate, they'll take risks, they'll have trust with one another because they are really committed to what they're doing and it's fun
Most traditional ghost stories feature rather hapless protagonists, who have nasty things happen to them.
Marriage is the most obvious public practice about which information is readily available. When combined with the traditional Jewish concern for continuity and self-preservation - itself only intensified by the memory of the Holocaust - marriage becomes the sine qua non of social membership in the modern Orthodox community.
What has impressed me the most about the Italians whose tables we've sat at is that they are traditional cooks but also outrageously innovative. These people are wild improvisers.
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