I think all writers of my age who are brought up on films probably by the age of 16 have seen many more films than they have read classics of literature. We can't help but be influenced by film. Film has got some great tricks that it's taught writers.
As children's inquiries are not to be slighted, so also great care is to be taken, that they never receive deceitful and illuding answers. They easily perceive when they are slighted or deceived, and quickly learn the trick of neglect, dissimulation, and falsehood, which they observe others to make use of. We are not to intrench upon truth in any conversation, but least of all with children; since, if we play false with them, we not only deceive their expectation, and hinder their knowledge, but corrupt their innocence, and teach them the worst of vices.
Two Drink Mike enjoys dancing and knows a magic trick. Whereas, No Drink Mike enjoys biographies, and has serious opinions on wildlife. And Five Drink Mike... dances with wildlife.
I don't know how to make magic. For most songwriter's that has only happened once or twice, and I don't know how to re-create that. I know that there are some tricks and tools, but the magic is the amazing part.
Sink or swim! You never really feel ready, there is always sometime more that your mind tells you you should be doing. However, the trick is to be able to show up and perform no matter what the circumstance.
One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
You play with everything you've got. I'm not a lover of cheap tricks. I've always loved playing with people, but there's no rule about it. You try everything you can.
Actors are insanely competitive and they hold back on each other. They are like magicians and none of them want to show their tricks.
I always feel that there's no violence in a movie - it's not real, it's a magic trick. Nobody is really dying. In fact, the people that die in my movies have gone on to become extremely successful!
It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.
Writing is nearly always a matter of finding whatever your brain needs to trick it into being creative, and in my case, a tiny little bit of fact just seems to work.
The trick, though, is to not lose compassion, to not allow the sense of absurdity to outweigh the awareness of real beings, with real feelings. Mean-spirited humor turns the world into cardboard, the way Midas's simple-minded greed turned food into inedible and useless stuff.
The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.
Loyalty is a word which has worked vast harm; for it has been made to trick men into being "loyal" to a thousand iniquities, whereas the true loyalty should have been to themselves - in which case there would have ensured a rebellion, and the throwing off of that deceptive yoke.
The real trick in highly reliable systems is somehow to achieve simultaneous centralization and decentralization.
The trick is, to treat your days as if each one may be your last.
What you're trying to do as an actor is somehow trick yourself into believing that these words have never been said, and so you've got to discover them for the first time.
Twelve magicians and two carnies have been shot dead doing the bullet catch. That's cool enough, but every night when we close our show with that trick and the loaded gun gets pointed in my face, it goes so far beyond cool. All I can think is 12 magicians, two carnies.
Movies get found in the editing room. The movie that you make is not always necessarily the movie that comes out of the editing room. The trick is to perfect the movie that you have and make it the best version of what you've shot, regardless of what the intent may have been.
Just like every kid who comes into show business on some level, I used to put shows on in my basement. I even started with doing tricks and having a ventriloquist dummy.
[Calling you a] star is just a trick. It's like a straw man thing. They [people] set you up just to knock you over. It's bull. You avoid it, I avoid it.
To live in the moment and in the future at the same time would seem to me to be the trick.
The trick is finding a person whose flaws don't drive you crazy...you know...someone whose flaws you can live with...someone who can stand your flaws, too.
Take a favorite trick of yours and write a 'gestures script' how could you improve clarity [using gestures].
Fear is the trick of the enemy. And your enemy comes in many robes. But he has only one face. You know his face. You've seen it many times. You need not fear it. In your heart, you know you will triumph and you will defeat your enemy with the one weapon that you have inside you that he cannot touch--truth.
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