... Nine-year-old boys usually turn ten at some point. It's the nineteen-year-olds who have difficulty turning twenty.
Today age segregation has passed all sane limits. Not only are fifteen-year-olds isolated from seventy-year-olds but social groups divide those in high school from those in junior high, and those who are twenty from those who are twenty-five. There are middle-middle-age groups, late-middle-age groups, and old-age groups - as though people with five years between them could not possibly have anything in common.
within that ageing outer shell we remain very much the same as we did in our late teens and early twenties.
I've told youngsters not to write their autobiographical novel at the age of twenty-one; to save it for the time when they're fifty-one or sixty-one. They should write other novels first, to learn their craft; they shouldn't cut their teeth on the valuable material of childhood because they'll never have better material, ever, to work with.
here are the top three global resources getting scarcer in the twenty-first century: ozone layer, rain forest, people eager to read the fiction of others. That's right, folks. For the first time in I believe written history, there are far more fiction writers on earth than fiction readers.
I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.
Any fool can make a quilt; and, after we had made a couple of dozen over twenty years ago, we quit the business with a conviction that nobody but a fool would spend so much time in cutting bits of dry goods into yet small bits and sewing them together again, just for the sake of making believe that they were busy at practical work.
sexual predators were like cockroaches. For every one you saw, there were twenty more hiding behind the walls.
If all men labored hard every hour of the twenty-four, they could not do all the work of the world.
Excellent Sheep is likely to makea lasting mark for three reasons. One, Mr. Deresiewicz spent twenty-four years in the Ivy League, graduating from Columbia and teaching for a decade at Yale.He brings the gory details. Two, the author is a striker, to put it in soccer terms. He's a vivid writer, a literary critic whose headers tend to land in the back corner of the net. Three, his indictment arrives on wheels: He takes aim at just about the entirety of upper-middle-class life in America.Mr. Deresiewicz's book is packed full of what he wants more of in American life: passionate weirdness.
Fifteen cents of every twenty-cent stamp goes for storage.
Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular.
Wild Eyes was built for speed and I was flying down walls of water twenty and thirty feet high.
Most people never believed in the real possibility of going to the moon, and neither did I until I was in my twenties.
When I was 21 I think I thought I was 31. I was always kind of doing the right thing, and it wasn't until my late twenties that I became just a completely wild asshole. So I should've had that out of my system already and I was too busy being a grown-up.
I've been in the sun most of my life. I've gone to skin doctors and they'll say to you, 'We should remove this because it's pre-cancerous,' and I'll say, 'Explain pre-cancerous to me.' I'll listen for about twenty minutes and I'll say excuse me, 'Is pre-cancerous like pre-dead? So you're saying it could turn into cancer but it's not cancer?'
I learned by transcribing songs out of the Library of Congress collection in Washington where I was working. I got a job when I just turned twenty in 1939 and Alan [Lomax] needed some help. I listened to hundreds of records every week.
I know that if I do the right amount of, say, meditation and hot yoga or something, I can move the energy through my body and get rid of my cold within twenty-four hours.
I definitely divide my life into decades. Almost every ten years, something in my work life has changed. My twenties were my journalistic phase, then there was my screenwriting phase, then I became a director, then I started doing some plays.
You've got these twenty million people who call themselves the Evangelical Christians who will put their hand up and say, I believe in the devil, I'm against abortion and gay rights, and we have to blow up the world. It's frightening.
I'm always very aware of the physical challenges of work. I train much more than I did when I was in my twenties, and I've done some very physical films, and I always get properly prepared for them and get as fit as I can.
I might have had too many friends in my twenties. I probably said yes too much, and then I had to learn how to say no. How to get away in order to work on stuff.
Time is weird in your twenties. It's intense, and you feel like it's running out. But you'll get to thirty and see you are still here on the planet.
Being a breast cancer survivor, as I like to call myself - it will be twenty years next year - I did it to make it possible for women to do regular self breast examinations. It's really important - and, it makes common sense: you know your body better than the doctor does who only sees you once a year, you know?
I'm really glad that I made a lot of mistakes, poorly chose my friends throughout my twenties, and didn't have a rocket trajectory that set me on one path without making any mistakes or having any setbacks. The older I get, the more I realize that it's all of these failed, horrible things from my past, and the stories that they generated, that are the things I will draw on for the rest of my life.
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