Free verse is like free love; it is a contradiction in terms.
When I began rapping, I only had one form at my disposal. All I had, all I needed was a rhyme verse; sixteen bar, thirty-two bar, whatever it was. If I had an idea it came out as a rhyme. When I challenged myself to think beyond that, my first thing other than a rhyme that I wrote was a play.
Everything that's prose isn't verse and everything that isn't verse is prose. Now you see what it is to be a scholar!
A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval Carmina Burana - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.
Like most kids, I grew up singing 'This Land Is Your Land' in grammar school, but with the most radical verses neatly removed. This was before I knew it was a Woody Guthrie song.
So it is in poetry. All we ask is that the mood recorded shall impress us as having been of the kind that exhausts the imaginative capacity; if it fails to do this the failure will announce itself either in prose or in insignificant verse.
I can work on a verse for a very long time before realising it's not any good and then, and only then, can I discard it.
The heroes of our youth grow old - 'the boys of summer in their ruin,' in Dylan Thomas's verse - yet we seem the same.
Most of those who make collections of verse or epigram are like men eating cherries or oysters: they choose out the best at first, and end by eating all.
The clear French landscape is as pure as a verse of Racine.
France at the dinner table in faraway places; but here, among ourselves, in the family, let us face the facts: France is not poetic; to tell the truth, she even feels a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.
A felon could plead "benefit of clergy" and be saved by [reading aloud] what was aptly enough termed the "neck verse", which was very usually the Miserere mei of Psalm 51.
To write a verse or two is all the praise That I can raise.
Every time we equip the church with a verse, chapter or a story from the Bible, we're really placing another weapon in the hands of the Holy Spirit that He uses to challenge and strengthen the church. I think that's very important.
Writing fiction, for me, is a more indirect form of self-exploration than writing verse. When I'm working on a novel I'm moving characters around and I'm thinking about plot and there's a lot of other things going on at the level of structure and story. With a poem, a single idea or line or emotion can sometimes be enough - there's often a sense, in the best poems, of capturing a single instant. Perhaps poems differ from prose in the degree of solace they can offer - by speaking so personally, so directly, about shared experience. A few lines of poetry can provide comfort.
Once it happened, as I lay awake at night, that I suddenly spoke in verses, in verses so beautiful and strange that I did not venture to think of writing them down, and then in the morning they vanished; and yet they lay hidden within me like the hard kernel within an old brittle husk.
With a lot of songs on this record, one verse doesn't relate to the next verse. I don't think that one day really relates to the next day in life.
I think there's one thing which distinguishes our art - we don't consider. We don't think. We write a little verse because it comes to us.
Usually I start with a beat, I start making a beat, and my producer side is making the beat. And on a good day, my rapper side will jump in and start the writing process - maybe come up with a hook or start a verse. Sometimes it just happens like that. A song like 'Lights Please' happens like that.
BLANK-VERSE, n. Unrhymed iambic pentameters - the most difficult kind of English verse to write acceptably; a kind, therefore, much affected by those who cannot acceptably write any kind.
If a poem is not memorable, there's probably something wrong. One of the problems of free verse is that much of the free verse poetry is not memorable.
I switch between fixed forms and free verse often, and enjoy being a poet who can "swing both ways," so to speak.
The President [Barack Obama] is very focused on [healthcare]. He, of course, is also writing this speech at high speed. And right coming up until the speech, he is convinced that a full plan, letter and verse of what the administration wants, will be released.
I just chuck a bunch of words down and whether they find themselves into a song... I have lots of weird notes on my phone. I often come up with a phrase that I really like, I write it down and it stays in my notes folder, and when I'm writing I will scroll through and see if it kind of fits and if I can mould a verse around it.
I didn't know how write a song, (verse, chorus, verse, chorus, bridge, chorus, bridge, verse), etc., and I didn't know how to write lyrics, so that's when I thought, well, I don't have to write a song with all those verses and choruses or lyrics. I can just sing everything the way I want to. So I sang all the instruments with my voice and just went with it.
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