I'd been working on the [Bridget Jones's Baby: The Diaries material] for years, first, in the Independent newspaper columns and then in the various versions of the movie scripts.
I think that's there are a couple of reasons for that. One is as you're introducing the fourth and fifth versions of these MacGuffins that we've been playing with for a long time, you wanna do something different with them and not just have them be an object passed around. So the notion that something is inherent in the literal body of one of your lead heroes is interesting. And the idea that the Eye of Agamotto's a great relic over the course of Doctor Strange comics anyway.
I would like to work with Pat [ Leonard] in any capacity. I would love to hear his versions.
Some of the younger people afford hope for the future. I am not opposed to reform initiatives. For example, if you can build up enough popular support in the United States to put through a reasonable health care program or to support the rights of the working people against the version of NAFTA which was rammed through, these can be good things.
We're not actors, we're people behaving like ourselves on TV. We're both [me and Gordon Ramsay] exactly who we are on TV. I don't think either one is an exaggerated version. You just have to be who you are.
This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
I suppose in some ways doing some of the songs in the show felt a bit like I was doing cover versions. I was covering myself. Not that they didn't feel like my songs, but the way I was approaching them was from a place so outside where they were written. The fact that these songs were in the context of a live show was a new thing.
I remember seeing Stand by Me, when I was around 12, and just feeling like, "This is so refreshing to see kids swear and smoke cigarettes like my friends." It just felt much more real than the Sesame Street version of childhood that I'd been spoon-fed.
A lot of times we look at the past as something that was really great, but we ignore things that have actually gotten better since then.Our girls [Paper Girls] are now dealing with what their futures look like, and reflecting on what they hoped the present day versions might be like.
Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say "You're fired" to Diane Lane. That's about all you see of me.
Most people have no idea how much goes into designing a typeface. Twenty-six letters in the alphabet, usually with two versions of each, upper and lower case. Punctuation and alternate characters and numbers - let's not forget numbers - can add another 40 or so.
As an example, there is a Japanese composer / singer whose name is Tanimura [Shinji]: he has composed a song entitled entitled "Kazeno Komoriuta" and I have recorded my piano adaptation of this song and honestly I couldn't expect that it would be so difficult and challenging for me to perform my piano version of this beautiful song.
A pop song is a condensed version of a life in three minutes, whereas, when you go to write your prose, you have to find the rhythm in your words, and you have to find the rhythm in the voice that you have found and the way you're speaking.
In public, Barack Obama's giving the simple version of his beliefs for the mass public. In private, he can discuss it at a really high level.
At best, Trumpism will be a more right-wing version of the same old Republican Party.
The New York Times distorts and defrauds the news and then claims to be impartial. They never give an even-handed version of the news - that's the last thing they'd ever do.
The things had been made a half a dozen times from silent pictures through the '30s and '40s. In fact, I think there's a version in the '50s. And then, of course, Spielberg eventually did a version of The Lost World, but this [filming] was '91, I think. And we shot it in Zimbabwe.
No, everyone has great ideas, but what makes a difference, especially online, or just in life, is actually doing it; getting that first version out there.
Poetry had in the hands of various people become a place for inconvenient knowledge insofar as it was a place for knowledge at all. But it was a place where you could talk about other kinds of experience than the official version.
A song stylist is, like, to take an old folk song like "Delia's Gone" and do a modern white man's version of it.
As an insecure writer, I'll finish a scene and worry there's a better version of it. Or it could be elevated somehow.
I can only be the best version of myself and understand that the only way that we as a people can heal is to understand that the next person's journey may not be your own, but it doesn't mean that you have to marginalize them in any way.
You know, the old version was about balancing a checkbook. The new version is about the risks of debt, which is so much more widely available. So I think it's important that we design relevant financial literacy courses, and teach them starting early in grade school.
When you are writing, you are - from society's point of view - only producing the first version which will then be processed and recycled.
Politicians have made up their own version of Islam to avoid having to deal with the reality of Islam because it's just too daunting, frightening, scary, whatever, and they don't want to deal with it.
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