I feel like I never get to play any version of myself or get to be a normal person.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
I've also found that trying to be active with social media changes my moment-to-moment perceptions. Instead of feeling, "What's the deepest version of what's happening here?" I start to feel, "How can I use [or "claim"] this?".
The vast majority of Muslims would never accept the lawfulness of an active homosexual lifestyle. I don't see that happening. But there is also no authority in the tradition for any individual to take things into his own hands and impose their version of the religion on someone else.
Why is it that almost every human culture yet discovered has found it necessary to believe in an afterlife of some sort, but not a 'before-life?' Why are there so many versions of Heaven, Paradise and The Great Beyond, but almost none about The Great Before.
We sometimes choose the most locked up, dark versions of the story, but what a good friend does is turn on the lights, open the window, and remind us that there are a whole lot of ways to tell the same story.
Alcohol is really just the liquid version of Photoshop.
No Jews have our own guilt, that's why we have psychiatrists - the Jewish version of a priest.
This MacGyver is a twentysomething agent who, rather than operating on his own, is part of a team engaged in high-risk missions that take them around the world. Other cast members include George Eads as Jack Dalton, Tristin Mays as Riley Davis, Justin Hires [late of the TV version of Rush Hour] as Wilt Bozer and Sandrine Holt as Patricia Thornton.
Truthfully, in the beginning [of MacGyver] this could have gone either way, and as it turned out there was a version that was done wrong, which I'm not even going to get into. It was a pretty good idea and I liked where it was going, but then we got a chance to restart with Peter Lenkov [as executive producer/showrunner], who brought his vision to it. I remember reading his pilot script and it was just so exciting that I started hopping around my room.
I think having wild, huge hair, is me being my own version of a lioness.
I don't think we could have given a more honest version of ourselves to the world than we did for ["This Is Mike Stud"].
Can and must! The proclamation of this new conception of [Joseph Stalin] is closed by the same words, "Such are in general the characteristic features of Lenin's conception of the proletarian revolution." In the course of a single year Stalin ascribed to [Vladimir] Lenin two directly opposed conceptions of the fundamental question of socialism. The first version represents the real tradition of the party; the second took shape in Stalin's mind only after the death of Lenin, in the course of the struggle against "Trotskyism".
It's not always possible to play a song exactly as it is on the album. That's also something that I really don't want to do because I like to have versions that also adapt to the band, so that is always a big challenge to see how we can transform those songs so it feels natural.
Sometimes, I actually end up doing three or four different versions of one song, and sometimes, those versions can be done very differently. They can be very laid back, downtempo, or sometimes the same song can be quite uptempo. But it is always the same melody and chord progressions.
I don't know if you hear this often but I would say The Razor's Edge (loosely based on a great W. Somerset Maugham novel). This was Bill Murray's first dramatic role so everyone thought he stunk in this deep character but I thought he and the movie were great. The movie takes place over decades so you see Murray's character go from goofy playboy all the way to wiser, older person. It's basically a movie version of the journey I described.
In my view, there was a long period in which analytical philosophy had little to say about ethics. I think their intellectual tools did not do well with it, and analytical philosophy was above all about revolutionizing the philosophical tool box. It was more or less assumed that the Truth about ethics was some form of utilitarianism (perhaps because some consequentialist calculus looked to them like a respectable tool). Kantian ethics was then interpreted as a particularly odious version of the False - "deontology" - and treated with contempt.
The thing that bubbles up the most when I'm around other people is that I feel a joy of being alive. But I also am a very sensitive person and have many heavier feelings. It can be tiresome after a while to only do comedy, especially after you grow as a person. It starts to feel like you're playing an older version of yourself.
I once heard someone doing a karaoke version of my song. That was pretty funny.
The kind of plan that Donald [Tramp] has put forth would be trickle-down economics all over again. In fact, it would be the most extreme version, the biggest tax cuts for the top percent of the people in this country than we've ever had.
People are very surprised when they come to Hong Kong after seeing my films, because my version of it is quite different than Hong Kong in reality.
We sing a lot of the soundtrack in this film [Swiss Army Man] - me and Paul Dano - and on the last day of filming we had to just get into the back of our sound mixer's van and record a really crappy, rough version of the singing then. For some reason that was one of the most fun days.
To be fair, it's not even the first time I've seen a dead version of myself. There was one on Harry Potter, on the last movie, that they actually used to bring to set in a body bag.
I'm a fan of the mythos of Atlanta hip-hop, and it's something I grew up imagining. It was very interesting to get there and see the real version of this world and then reconcile the differences between what's presented as Atlanta hip-hop to the rest of the world and what the real, breathing version of it is.
Since I always go to work as Elvira, maybe a giant version of a cat. A black cat. I love cats and I think Elvira would look really good sitting on one.
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