I emcee how I feel for the moment. I'll always be influenced by Tribe, but my EP and LP have a lot of different flavors! I'll keep it vintage Tribe if Tribe decides to do another LP... which, in my heart, I'd love to do for the fans.
The Humbling is not vintage Roth, despite its compelling premise. The bizarre series of episodes -- mostly sexual encounters with women -- which make up this short novel don't play to Roth's strengths. (...) The Humbling disappoints because it avoids these universal implications, and veers off into a baroque world of the unique and fantastic, never quite deigning to make its world concrete or to give its characters the honour of an independent will.
I don't at all want to resemble some of these young designers who ask hallucinating prices for rags that are so in fashion now, that six months later, they are old-fashioned! I love vintage boutiques, I love to customize my clothes. And then, with my friends, we regularly exchange togs.
I’ve been enjoying a couple of post-Oscar burgers. So I didn’t fit into a lot of the vintage stuff. I wanted to wear something that was a little bit more forgiving.
I've never really been interested in the vintage photos people pay lots of money for -- civil war tintypes or old daguerrotypes of famous people. Nor do I have any interest in the really gross, dark stuff that some people pay top-dollar, like post-mortem photos of babies (yuck) or press photos of old murder scenes or whatever. I collect in these little niches most other people don't care about -- dark-and-weird-but-fun -- and photos that have been written on, which a lot of sellers think hurts their value. All of which is good news for me!
How ironic that returning to a raw and ancient form of worship is now seen as new and even cutting edge. We are simply going back to a vintage form of worship which has been around for as long as the church has been in existence.
Most of my wardrobe is vintage, and I've worn dresses to the Oscars that I got for $10.
I love fashion! I love clothes! I really like vintage clothes, so in my closet there's a lot of '50s stuff. I go to the stores and shop around.
I wore the Marc Jacobs dress, so I love Marc Jacobs. He has a vintage flair. But I've always worn a lot of vintage stuff, so it hasn't been a lot of designers. If I see something that I like, I just buy it.
There is a phenomenal amount of pressure on women in this industry: they are considered vintage by the time they hit their mid-30s.
Old Americana vintage gangster stuff has a fantastical feel; it feels less dirty in a way. It feels like the opera of crime.
I love anything vintage. And I love Marc Jacobs and shoes by Giuseppe Zanotti.
I am the woman with the cool vintage glasses... I am the proud wife beside her husband... I am the writer who has written a new novel.
My most cherished possessions are my grandma's letters and my vintage Martha Washington cookbook.
Basically, I always go to vintage shops rather than going shopping for new clothes.
I'm doing a fun EP. It's called 'Songs in the Key of Phife: Eight Is Enough.' It's radio-friendly, but then a lot of it just has that raw hip-hop. Some of it will be vintage Tribe, but for the most part I'm just letting my voice be heard.
My advice to new artists is to embrace a broader concept of timelessness than vintage or retro.
It's a mission for me to make sure that philanthropy doesn't feel like a vintage hand-me-down from mom or dad. I want people to feel compelled to do something positive because they just love it, they're excited about it, and it's cool.
I've making videos since I was seventeen I was originally discollecting vintage hmmm... footages from different archives and setting moving pictures to classical music clips that meant a lot to me. Maybe there were places I have been where nice things have happened. I had a vision of making my life a work of art and I was looking for people who also felt that way.
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