My eyes make pictures when they are shut.
Without the eye, the head is blind. Without the head, the eye is adrift.
What has happened makes the world. Live on the edge, looking.
Sight is where the eye hits.
For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life - the light and the air which vary continually. For me, it is only the surrounding atmosphere which gives subjects their true value.
Or, to express this in another way, suggested to me by Professor Suzuki, in connection with seeing into our own nature, poetry is the something that we see, but the seeing and the something are one; without the seeing there is no something, no something, no seeing. There is neither discovery nor creation: only the perfect, indivisible experience.
Same old eyes, same old world but the difference is how you look at what is in front of you, not what it is.
Probably the most potent desire for a painter, an image-maker, is to see it. To see what the mind can think and imagine, to realize it for oneself, through oneself, as concretely as possible.
My work isn't about form. It's about seeing. I'm excited about seeing things, and I'm interested in the way I think other people see things.
The principal person in a picture is light.
At one point consciousness-altering devices like the microscope and telescope were criminalized for exactly the same reasons that psychedelic plants were banned in later years. They allow us to peer into bits and zones of Chaos.
Gardeners work with an ever-receding ideal of perfection; no sooner is something growing well than they see how to place it better or give it a better neighbor. To other's eyes, all may look as well as could be expected, but a good gardener's eye sees more to be improved.
Why do overlook and oversee mean opposite things?
Each band or level, being a particular manifestation of the spectrum, is what it is only by virtue of the other bands. The color blue is no less beautiful because it exists along side the other colors of a rainbow, and "blueness" itself depends upon the existence of the other colors, for if there were no color but blue, we would never be able to see it.
Humanity has passed through a long history of one-sidedness and of a social condition that has always contained the potential of destruction, despite its creative achievements in technology. The great project of our time must be to open the other eye: to see all-sidedly and wholly, to heal and transcend the cleavage between humanity and nature that came with early wisdom.
Why has not Man a microscopic eye? For this plain reason, Man is not a Fly. Say what the use, were finer optics giv'n, T' inspect a mite, not comprehend the heav'n.
One eye looks within, the other eye looks without.
Again and again I've taken quick glances and then for some reason I've got to sit before a picture waiting and it's opened up like one of those Japanese flowers that you put into water and something I thought wasn't worth more than a casual, respectful glance begins to open up depth after depth of meaning.
Close your eyes and you will see.
Once you really commence to see things, then you really commence to feel things.
Artistic vision is having the clarity to fall in love with what you see.
Is ditchwater dull? Naturalists with microscopes have told me that it teems with quiet fun.
But under the beaming, constant and almost vertical sun of Virginia, shade is our Elysium. In the absence of this no beauty of the eye can be enjoyed.
We do a lot of looking: we look through lenses, telescopes, television tubes... Our looking is perfected every day, but we see less and less.
Thus we cannot escape the fact that the world we know is constructed in order to see itself. This is indeed amazing. Not so much in view of what it sees, although this may appear fantastic enough, but in respect of the fact that it can see at all. But in order to do so, evidently it must first cut itself up into a least one state which sees, and at least one other state which is seen.
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