I wanted to be a comedian. I wanted to meet waitresses and felt that being a comedian was my best way to go about it and I was right.
My cousin Louie, we walk into a bar, and he says, Dom, I think that waitress knows me. What do you think she knows, Louie? The fact that your belly came in four steps ahead of you?
I was a waitress years ago when I was first trying to become an actress, waiting tables in New York City.
I have physical problems with listening to reggae. It's weird, I don't know why. It doesn't fit the way my heart pounds, and I feel very bad when I hear it. I have a neighbor--she's a waitress who comes home every night at four in the morning and she plays reggae very loud. I hate that. I can't sleep and I can't wake up either to that music.
When I was about 17, I had a row with my mother and left home for six months, renting a flat and working as a waitress for a while. I learnt you could double your earnings if you gave good, cheerful service. It taught me that in any job you can improve your lot.
I'm probably a lot closer than perhaps the contents of my early fiction suggest to a jaded Denny's waitress with smoker's-lung-black humor than a ghost hunter.
Along the way, I've worked as a waitress, I've done phone surveys, and worked as a receptionist, and for the last twenty years I've taught. When I was an actor, the key was to find a job that kept your days free to audition.
I grew up with a single mom who was a waitress. We were on food stamps. My mom then got Pell Grants, put herself through college to get a degree to get a better job. Because we were broke, I then had to go to a state school. I went to Temple University, and had to get loans. So I grew up in a world where I saw the government helping individuals pull themselves up, and saw it work very successfully.
I actually wrote the song first as "well, it's 9 o'clock on a Saturday." That bit. Then I said, You know what? It needs some kind of an introduction to kind of set the mood and set the flavor. So I just played this kind of cocktail lounge thing, the hustle and bustle of waitresses going by - that kind of thing.
Donald Trump claims - he did interview after the debate where he said, well, gosh, you can't find Americans to do these jobs to be waiters or waitresses or bellhops.What ridiculous nonsense. "The New York Times" reported roughly 300 Americans applied for those jobs. He only hired 17. Instead, he brought in foreign workers, because they're captive workers, because you can pay them less because they can't leave.
I was working as a cocktail waitress in a heavy metal bar. Then, my manager said I should try some acting, which led to an audition Satisfaction, where I played a musician in an all-girl band. That movie is where I met my future ex-husband Jody Porter.
I drove a cab. But all the girls I knew when I was young who had to work - there were rich girls - but the ones who had to work were waitresses. Because you could always get shifts in a restaurant.
Gregory Peck was so charismatic. I saw a woman fall down - fall down! - when she saw him in a restaurant. And Brando. We were in London, and by then he was about 380 pounds. There was a gorgeous waitress, and off he went, in direct competition with me for this young girl's attention, speaking French, making her blush.
The great thing about Europe is that things have not been represented [as much]. If you open the door of a bar in Brooklyn in a film you know exactly who is the mobster, who is the nice guy, who is the drunk, who's the waitress, who's the lonely heart. If you push open the door to a bar in Antwerp or Lisbon or Rotterdam, people will talk five different languages. You don't know who's who. You don't know if that guy is a banker or a mobster.
Tipping generally changes depending on where you are in the world. In Britain you don't always have to tip, but I always make sure I do. I have a lot of respect for waiters and waitresses - it can't be an easy job and they often don't get paid huge amounts, so I think it's important to reward them and let them know if they are giving great service.
The thing I loved about this movie [Waitress] when I read the script was that it was exactly the kind of film that I love to watch. It's not just funny, it's serious, just when you need it to be and true to life in a way.
I just thought that Adrienne [Shelly] wrote a great character [for Waitress]. It really was all on the page.
Adrienne [ Shelly] had 100 per cent control over this movie [ Waitress] as a director. She didn't just write it, direct it and act in it, she was the creative force behind everything, from the jokes down to the expressions.
[Adrienne Shelly] explain exactly what she was looking for. This was her movie [Waitress].She also wrote the songs that I sing in it. She wrote everything. She chose the colour of our outfits; she designed the set of the diner. She was very, very involved at every level.
I think it's quite common and realistic. There are many stories like this [in Waitress]. [Jenna, my character] marriage looks really horrible up on the screen but I think there are a lot of people in bad relationships who wake up and think to themselves: "Wow, how did I end up here? Why am I still here and so unhappy and not satisfied with my life?"
We shot the movie [Waitress] in 20 days so there wasn't a lot of time to learn. There wasn't a lot of pie baking going on, at least not by me. But we always had pies while we were filming - we ate two different pies every day for lunch!
With a pie, the crust is a real delicacy. It's very hard to get it just right because it's got to be cold and just the right consistency. There's a whole art to it and I haven't learned how to do it [filming in Waitress].There's not a lot of time for cooking, especially when you're shooting nights or working until 11pm.
That's interesting to hear you say that because watching it [the Waitress] for the first time at Sundance was fascinating - it was so different from the experience of making it.
I wouldn't say that my experience making it [the Waitress] was necessarily uplifting, but watching it with an audience, I was surprised at how hopeful it was at the end.
I do think it [the Waitress] speaks in a positive way for women and it was surprising for me to see it for the first time as a movie all put together with music. I really liked it a lot.
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