I started making some proper decisions, getting things in order. It's kind of like cleaning up your house. I was looking for direction for what God wanted me to do - and that's when I got a call about The Passion.
After about six months, I told my mother that I wanted the lessons to stop, and she was intelligent enough not to force me to continue. Besides, the lessons cost money, which was anything but abundant in our household.
From the beginning, I wanted to live my own life, and patiently I shored up that desire against wind and tide.
Well, I wanted to be a philosopher, which is the idlest occupation in the world. I wanted to be involved in abstract thought, but because of various problems with the authorities I wasn't able to pull that one off. A lifetime of idleness in academia would have really suited me. So I was thrown out, as it were. Other than that, there seemed no possible idle occupations, so writing . . . although writing isn't exactly idleness. There's an enormous tension between indolence and languor.
I have lived on a razors edge. So what if you fall off. I'd rather be doing something I wanted to do. I'd walk it again.
Up until now, I had ideas that I wanted to try but didn't have the opportunity to do them.
I'm not one of these directors, so far, that wants to have a whole separate director's cut of these things. So far they've turned out to be kind of the length that they wanted to be.
I wanted to die. I had a panic attack.
We fell in love quickly. We got married very quickly. It didn't work out the way we wanted it to. There's nothing more to it.
I wanted to do everything. I wanted to be a pilot. I wanted to be a secret agent. I wanted to be a fireman and a doctor, all that. So I related that through movies and stuff.
It's different today than it was then. In those days we were strictly amateurs. If I had wanted to stay in for the '80 Olympics, my parents couldn't have afforded it.
They thought we were going to hurt the game, but we just wanted to help ourselves, because the players needed to get together to protect their interests.
No, in 1968 I still wanted to be a Pop Star, and be about the music. Now, I want to be just about the music.
Those two songs condense the two albums. They also show what the audiences wanted. I was desperate to keep the band together and find something that the public would like.
When I was younger, there was a huge gap between what I wanted to do and what I could do as an idol.
Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other.
I am so happy to be on a show with writing I wanted to participate in.
I feel like Josh, Michelle and Adam were all team players, who wanted to be a part of an ensemble.
Every time I listened to Lux Radio Theatre, I wanted to vomit.
I was so flattered that someone wanted me to write a book, I said I would. It was published in 1969.
I didn't want to do anything my mother wanted me to do so surely I wasn't going to sing for her.
I used to go and flatten my nose against that window and absorb all I could of his art. It changed my life. I saw art then as I wanted to see it.
But I was very disappointed that I didn't get a chance to go overseas with that group, might not have gotten back but I wanted very much to go because there's not much of a record of the exploits of the first Negro fighter group.
Phil has always been a fighter. He was getting in fights all the time. I told him that if he ever hit me then I would leave the band. He wanted to find out if I was telling him the truth. He hit me so I left and that is how UFO split up.
You are a creator; you create with your every thought. You often create by default, for you are getting what you are giving your attention to wanted or unwanted but you know by how it feels if what you are getting (creating) is what you are wanting or if it is not what you are wanting. (Where is your attention focused?)
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